Master's candidates: Deposit of your thesis or project is required. (If an embargo [restricted access] is necessary, you may deposit it at http://digitalcommons.unl.edu/embargotheses/ only after getting approval from your department and the Graduate Office; contact Terri Eastin).

TO DEPOSIT YOUR THESIS OR STUDENT CREATIVE WORK

1. Create or log in to your Digital Commons account
To create an account: click on My Account at http://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.

2. Find the right series to deposit in
Go to the correct series in the UNL Digital Commons [series links are in the file linked here].
On the correct series page, click the Submit your paper or article link at the bottom of the gray box at left.

3. Instructions for deposit
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.

YOU DID IT; your work is submitted!

CONGRATULATIONS on reaching this amazing milestone in your academic career!

4. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.

Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.

It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.

But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.

Follow


2013

PDF

PATH - LOSS, Gregory S. Cook

PDF

A Relationship of Parts, Jacob Francois

PDF

MANY WORLDS CONVERGE HERE: VISION AND IDENTITY IN AMERICAN INDIAN PHOTOGRAPHY, Alicia L. Harris

PDF

Threshold, Alexandria Knipe

PDF

Constructions, Sean Ryan Larson

PDF

When the World Went Quiet, Megan E. McLeay

PDF

Geographies of Story, Emma Nishimura

PDF

Science Fictional Transcendentalism in the Work of Robert Smithson, Eric Saxon

PDF

The Ambiguous Graveyard: Religious Sympathy and Erotic Desire in Sir John Everett Millais's The Vale of Rest, Greg W. Spangler

PDF

Dream State , Audrey L. Stommes

2012

PDF

Material and Motion: Phenomenology and the Early Work of Carolee Schneemann 1957-1973, Regina M. Flowers

PDF

Someone/No One, Jamie L. Fritz

PDF

You Are Some Other Thing, Victoria Hoyt

PDF

Transcendent Materiality, Lauren E. Mabry

PDF

Media Revolution: Early Prints from the Sheldon Museum of Art, Gregory Nosan and Alison G. Stewart

PDF

A TRANSFORMATIONAL BOND, Nettie L. Rogers

PDF

Money Painting and the Duplicitous Multiple: The Interdependence of American Copyright Legislation and Artistic Production, Jaclyn N. Siemers

PDF

Framing Cultural Capitalism: William Wilson Corcoran and Alice Walton as Patrons of the American Art Museum, Kelsey E. Tyler

PDF

All That We See(m), Alison H. VanVolkenburgh

PDF

Zoomorphic Penannular Brooches in 6th and 7th Century Ireland, Esther G. Ward

2011

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Scenes from a Crash, Byron J. Anway

PDF

Measured Chance, Brian R. Kluge

PDF

Stealing Horses and Hostile Conflict: 1833-1834 Drawings of Mato-Tope and Sih-Chida, Kimberly Minor

PDF

Rising Tides and Color Revolutions, Charles Mitchell

PDF

Basic Space, Sean P. Morrissey

PDF

A Memory Forgotten: Representation of Women and the Washington D.C. Arsenal Monument, Melissa Sheets

PDF

Closely Observed, Meghan C. Sullivan

PDF

Told, Retold, and Repo'd, Jason Tanner T. Young

2010

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Uova, Elisa N. Di Feo

PDF

CUT, Bryan Drew

PDF

the logic of objects, David B. Eichelberger

PDF

Black, White, Brown, Aisha S. Harrison

PDF

Lost Channels, Joshua P. Johnson

PDF

Breathe... Keep Breathing., Shaun C. Kiel

PDF

Abstention and Opposition, Ryan D. LaBar

PDF

Once-Removed (And Other Familiar Relations), Emily Newman

PDF

Am I Here?, Carla M. Potter

PDF

I've fallen in love with every one of you..., Kayleigh L. Speck

PDF

Maelstrom, Gertrude L. Teijink

PDF

From Baa to Eye: Language as Images, yinghua zhu

2009

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Of vapor beneath the evening star, Sarah Barnard Blitz

PDF

View of the Void, John E. Carrasco

PDF

Catch shadow, Hold light, Autumn Cipala

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Bringing Spiritual Symbolism to a Material Plane, Seth Green

PDF

THE CONSTELLATlONS OF PALOMAR, Shane Haley

PDF

DISPLACEMENT, Kelly Manning

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SATURATED MEMORY, Jewel Noll

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DIE! AKHNA.TEN DIE!, Joshua Norton

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DYSFUNCTIONATION, Samuel B. Rapien

2008

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OIL& WATER, Miranda Allbritten

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PERCEPTUAL TRACE, Sherry Black

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Paintings, Michael Burton

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WHAT IS IN FRONT OF YOU?, Susan A. Dewsnap

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RECOLLECTION, Eriko Fujita

PDF

Constructing Entropy, Xanthe Isbister

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GOOD GIRL, Erika C. Navarrete Anderson

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CONSTANT DAYDREAM, Anne Ruehrmund

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SPECIOUS I SPACIOUS, Amanda Smith

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Decay of the Domestic, Kimberly J. Thomas

2007

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SIMPLE COMPLEXITY, Eric T. Anderson

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INSlDE OUT, Caitlin Rose Applegate

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Beautiful Objects, Jenni Brant

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Density, Jesse Ross

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SELF, Justin D. Shaw

1999

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PAINTINGS, Susan L. Arthur

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FALLING/FLOATING: PIECES OF NATURE, Susan Belau

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REST FOR THE EYE, Jason L. Briggs

PDF

Circumstantial Evidence, Paula Day

PDF

THE WELL CONSIDERED POT, Matthew Lee Kelleher

PDF

NECESSARY FICTIONS, Yvonne M. Meyer

PDF

STORYTELLING: ARTIST'S BOOKS, Nancy Jo Ann Steele

PDF

MAPS TO PLACES YOU COULDN'T FIND, Michael J. Strand

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EVOLUTION BY NUMBERS: AN EXPLORATION OF FUNCTIONAL POTTERY, Chad W. Wolf

1998

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THE LANDSCAPE IN TRANSITION, Tim Klunder

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PAINTING AND BEING: A MEDITATION ON PERCEPTION, Myron N. Moore

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INTO THE LANDSCAPE, Gegory S. Walter