PhD candidates: You are welcome and encouraged to deposit your dissertation here, but be aware that
1) it is optional, not required (the ProQuest deposit is required); and
2) it will be available to everyone on the Internet; there is no embargo for dissertations in the UNL DigitalCommons.

Master's candidates: Deposit of your thesis or project is required. If an embargo is necessary, you may deposit the thesis at http://digitalcommons.unl.edu/embargotheses/ with the prior approval of your department and the Graduate Office (contact Terri Eastin).

All depositors: We try to observe a 24-hour "cooling off" period to give you opportunity to correct those "oops" issues that seem to emerge just after deposit.
Upon deposit, you will immediately receive an email that your submission has been received (and this is what you need to show the Graduate Office).
However, you can still log back in and select Revise and upload a new version with your advisor's name spelled right, or your mother thanked in the Acknowledgments, or whatever you're stressing about.
After about a day, your submission will be "published" or "posted", making it available to the Internet; you will get another email to that effect, and your submission can no longer be changed--by you.
If further changes are needed, these can be made by sending a revised file to the administrator < proyster@unl.edu > requesting replacement of the current online version. DO NOT RESUBMIT YOUR THESIS / DISSERTATION. That creates duplicate records, confusion, wasted effort, frustration, sadness, tears, and causes kittens to get sick.

Finally: Congratulations; you are almost there. Click the "Submit your paper or article" link at the bottom of the gray box at left. Follow the instructions. You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
You are the sole author; your advisor is not considered a co-author.
Your institution is "University of Nebraska-Lincoln" (not "at Lincoln" or ", Lincoln"). Do not leave it blank; then the administrator has to fill it in, and he is tempted to make it something silly.
You do not need to repeat your name and title in the Abstract field; just the body of the abstract.
When you reach the question "Was this submission previously published in a journal?", just skip that part.
Be sure to click the "Submit" button at the bottom. Files upload at the rate of about 5 Mb per minute, so if you have an ungodly large file, it may take a bit of time. If your file exceeds 40 Mb, think about reducing its size--there are many ways; Google "reduce pdf file size" to find some.

Okay, get started. That thesis is not going to submit itself.

Follow

2013

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El Protagonista Negro en la Narrativa Antiesclavista Latinoamericana del Siglo XIX, Nydia Jeffers

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Movie review de Biutiful por González Iñárritu, Ana M. López-Aguilera

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Pedagogía de Hablantes de Herencia: implicaciones para el entrenamiento de instructores al nivel universitario, Lina M. Reznicek-Parrado

2012

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Reseña de la película Smoking room (2002), Ana M. López-Aguilera

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Contextos y prácticas en las humanidades digitales, Joseba Moreno

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Modelización social en dos novelas novohispanas: Vida y hechos del famoso caballero don Catrín de la Fachenda y el Periquillo Sarniento, Wilfrido M. Suárez

2011

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EL MACHO SARNIENTO: LA HIPERMASCULINIDAD EN YONQUIS Y YANQUIS DE ALONSO DE SANTOS Y ENTRE VILLA Y UNA MUJER DESNUDA DE SABINA BERMAN, Joaquín M. Muñoz

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Mass Culture as Domination or Resistance in Latin American Narratives, Tim Robbins

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POETA PORTUGUÉS Y CLÁSICO CASTELLANO, LUÍS VAZ DE CAMÕES (c.1524-1580): EDICIÓN CON INTRODUCCIÓN Y NOTAS DE SUS SONETOS CASTELLANOS, Rose M. Sevillano

2010

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Cine e inmigración: espacios de inclusión y exclusión, Ana M. López-Aguilera

2009

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La voz y la violencia invisible en el cuento caribeño contemporáneo, Carmen Bourbon

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Inscriptive Masculinity in Balzac’s Comédie Humaine, Alana K. Eldrige

2007

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EN BUSCA DE UNA TIPOLOGÍA MATERNAL: (RE)CONSIDERANDO LA MUJER-MADRE EN LA ESPAÑA DE LOS SIGLOS XIX Y XX, Guiomar C. Fages

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HIDDEN IDENTITY IN THE CONTEMPORARY LATIN AMERICAN HISTORICAL NOVEL: THE CONQUEST SEEN THROUGH THE EYES OF DOUBLE AGENT CHARACTERS, James W. Gustafson Jr.

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La presencia del dolor en la obra poética de Garcilaso de la Vega, Diego Hurtado de Mendoza, Gutierre de Cetina, Lope de Vega y la Madre Josefa del Castillo, Dilia Hernández Delgado

2006

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POÉTICA DE LO SOEZ: Luis Rafael Sánchez: IDENTIDAD Y CULTURA EN AMÉRICA LATINA Y EN EL CARIBE, Julio César Sánchez Rondón