PhD candidates: You are welcome and encouraged to deposit your dissertation here, but be aware that
1) it is optional, not required (the ProQuest deposit is required); and
2) it will be available to everyone online; there is no embargo for dissertations in the UNL Digital Commons.

Master's candidates: Deposit of your thesis or project is required. (If an embargo [restricted access] is necessary, you may deposit it at http://digitalcommons.unl.edu/embargotheses/ only after getting approval from your department and the Graduate Office; contact Terri Eastin).

TO DEPOSIT YOUR DISSERTATION OR THESIS

1. Create or log in to your Digital Commons account
To create an account: click on My Account at http://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.

2. Find the right series to deposit in
Go to the correct series in the UNL Digital Commons [series links are in the file linked here].
On the correct series page, click the Submit your paper or article link at the bottom of the gray box at left.

3. Instructions for deposit
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.

YOU DID IT; your work is submitted!

CONGRATULATIONS on reaching this amazing milestone in your academic career!

4. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.

Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.

It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.

But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.

Follow


2023

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German-Language Newspapers in America: Reactions and Reporting on Racism and Mob Violence towards Minority Groups in the Early 1900s, Karmen Browitt

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Archivo y Memoria: Una Mirada a Tres Historias de Mujeres Esclavizadas en el Virreinato de la Nueva Granada de Finales del Siglo XVIII, Luisa Carolina Julio Gomez

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The Labé Question: a New Stylometric Analysis, Ryan Schmid

2022

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NICKEL RUSH: INDIGENOUS TESTIMONIES AND PREDICTIONS ABOUT MINING FROM NEW CALEDONIA AND QUÉBEC, Hailey Dorner

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THE INTERSECTIONS OF MIGRATION AND IDENTITY IN YOUNG ADULT LITERATURE OF THE FRENCH-SPEAKING WORLD, Kaitlyn Waller

2021

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Readings of (Non-)Consumption in Jan-Ole Gerster's OH BOY (2012), Christopher Etheredge

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Repensando la discapacidad en España y Latinoamérica: La producción cultural hispánica de autores/as con diversidad funcional en los siglos XX y XXI, Montserrat Fuente-Camacho

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A TRANSLATION OF MARION GUILLOT’S C’EST MOI WITH AFTERWORD, Edwin Schooler III

2019

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Untitled: Deconstruction and Reconstruction of Identity in Le Chevalier de la Charrette and the Romance of Tristran, Devin Louise Moulton

2018

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GASPAR OCTAVIO HERNÁNDEZ, UN POETA MODERNISTA, Karina Ayodele Clarke Murrain

2017

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Anatomía comparada de la representación de la muerte en la literatura Española Transatlántica durante el ocaso de la edad media y el renacimiento, Miguel Ángel Albújar Escuredo

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El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición., Martina Barinova

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LA VIOLENCIA: LOS SEMAS DE RASGOS DIEGÉTICOS Y MIMÉTICOS DE LA LITERATURA COLOMBIANA DE LA SEGUNDA MITAD DEL SIGLO XX., Omar Fernando Sánchez Forero

2016

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Reseña: Cupchik, Gerald C. “The Evolution of Psychical Distance as an Aesthetic Concept.” Culture & Psychology 8-2 (2002): 155-187., Miguel A. Albújar Escuredo

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Reseña: El Aura de Fabián Bielinsky, Miguel A. Albújar Escuredo

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Reseña: La ciudad sin límites de Antonio Hernández, Miguel A. Albújar Escuredo

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Reseña: La idea de progreso como lastre en las filosofías de la historia por Juan Robert Muro Abad., Miguel A. Albújar Escuredo

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Reseña: Que se mueran los feos de Nacho G. Velilla, Miguel A. Albújar Escuredo

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Resumen: Origins of postmodernity de Perry Anderson, Capítulo 1: Pródromo, Miguel A. Albújar Escuredo

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Breve Acercamiento a la Cuestión Morisca en la Temprana Edad Moderna en España, Farah Dih

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La violencia terrorista en la narrativa vasca del siglo XXI, Montserrat Fuente-Camacho

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Acercamiento al Pensamiento Mágico y la Superstición en el Discurso Literario de la Primera Modernidad Española: Miguel de Cervantes y María de Zayas, Miguel Magdaleno Santamaria

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La Visión del Colombiano en La hojarasca, El coronel no tiene quien le escriba y Crónica de una muerte anunciada, de Gabriel García Márquez, Luz S. Valencia Galvis

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LA COLONISATION, L’IDENTITÉ ET L’AMBITION DANS DEUX ROMANS FRANCOPHONES, Abdulameer Waly

2014

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Red social en La Celestina: una aproximación cuantitativa a su sistema de personajes, Jennifer Isasi

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Reseña de Pagafantas, una comedia de Borja Cobeaga, Naroa Puente-Ortiz

2013

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Reseña de "También la lluvia" de Iciar Bollaín, Jennifer Isasi

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El Protagonista Negro en la Narrativa Antiesclavista Latinoamericana del Siglo XIX, Nydia Jeffers

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Movie review de Biutiful por González Iñárritu, Ana M. López-Aguilera

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Pedagogía de Hablantes de Herencia: implicaciones para el entrenamiento de instructores al nivel universitario, Lina M. Reznicek-Parrado

2012

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Reseña de la película Smoking room (2002), Ana M. López-Aguilera

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Contextos y prácticas en las humanidades digitales, Joseba Moreno

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Reseña: "El ángel exterminador", Joseba Moreno

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Modelización social en dos novelas novohispanas: Vida y hechos del famoso caballero don Catrín de la Fachenda y el Periquillo Sarniento, Wilfrido M. Suárez

2011

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EL MACHO SARNIENTO: LA HIPERMASCULINIDAD EN YONQUIS Y YANQUIS DE ALONSO DE SANTOS Y ENTRE VILLA Y UNA MUJER DESNUDA DE SABINA BERMAN, Joaquín M. Muñoz

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Mass Culture as Domination or Resistance in Latin American Narratives, Tim Robbins

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POETA PORTUGUÉS Y CLÁSICO CASTELLANO, LUÍS VAZ DE CAMÕES (c.1524-1580): EDICIÓN CON INTRODUCCIÓN Y NOTAS DE SUS SONETOS CASTELLANOS, Rose M. Sevillano

2010

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Cine e inmigración: espacios de inclusión y exclusión, Ana M. López-Aguilera

2009

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La voz y la violencia invisible en el cuento caribeño contemporáneo, Carmen Bourbon

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Inscriptive Masculinity in Balzac’s Comédie Humaine, Alana K. Eldrige

2007

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EN BUSCA DE UNA TIPOLOGÍA MATERNAL: (RE)CONSIDERANDO LA MUJER-MADRE EN LA ESPAÑA DE LOS SIGLOS XIX Y XX, Guiomar C. Fages

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HIDDEN IDENTITY IN THE CONTEMPORARY LATIN AMERICAN HISTORICAL NOVEL: THE CONQUEST SEEN THROUGH THE EYES OF DOUBLE AGENT CHARACTERS, James W. Gustafson Jr.

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La presencia del dolor en la obra poética de Garcilaso de la Vega, Diego Hurtado de Mendoza, Gutierre de Cetina, Lope de Vega y la Madre Josefa del Castillo, Dilia Hernández Delgado

2006

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POÉTICA DE LO SOEZ: Luis Rafael Sánchez: IDENTIDAD Y CULTURA EN AMÉRICA LATINA Y EN EL CARIBE, Julio César Sánchez Rondón

1973

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Some Forms and Functions of Contrast in the Islendingasogur, Duane Victor Keilstrup