Date of this Version
Plainsong and Medieval Music 17:1 (April 2008), pp. 96-100. doi:10.1017/S096113710800082X
Peter Wright's edition of English settings of the Sanctus and Agnus from the second quarter of the fifteenth century is the latest addition to the Fifteenth-Century Liturgical Music subseries of Early English Church Music, and the second to adopt a new format for notation and editorial apparatus. ... A generous critical apparatus for each work is clearly laid out, with highly valuable commentary in the General Remarks for many items. The editor's introduction discusses the policy of selection of repertory, the styles of the works edited, their age, sources, and composer attributions, the kinds of distortions in transmission that these English works undergo in continental manuscripts, some evidence for proportional planning in selected works, and the organisation of the volume, including the justification for assembling five proposed Sanctus-Agnus pairs. ... The central corpus of this edition affirms the strength of :the consistency of the new paradigm, while offering up an instructive sense of where there was scope for play with its parameters. The EECM enterprise, and editor Peter Wright, are to be congratulated warmly on this latest volume of the series.