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2014

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Student and Teacher Experiences with Informal Learning in a School Music Classroom: An Action Research Study, Mark C. Adams

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On This Journey: Suite for Big Band and Five Voices, Kara L. Baxter

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Einstein on the Beach: A Global Analysis, Chelsea M. Coventry

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The Flute and Piano Works of Sigfrid Karg-Elert: An Analytical and Contextual Study, Stephanie DiMauro

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Yrjö Kilpinen's Kanteletar-lauluja, Opus 100: A Performance Guide, Lisa Marie Howell

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The Process of Musicking: An Alternative to Melodic Dictation and Other Activities Involved in the Undergraduate Music Program, Tanya Krof

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Воспоминания (Acts of Remembrance): For violin, cello and piano, Marat E. Sanatullov

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GARDEN OF THE CARPATHIANS: FOUR REFLECTIVE PIECES FOR MIXED ENSEMBLE THAT HIGHLIGHT THE DUALISM OF ROMANIA’S PEOPLE, CULTURE, AND AESTHETIC., David Stamps

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Tracing the Development of Vivaldi's "L' Estro Armonico" Concerto No.8 in A Minor through J.S. Bach and Samuil Feinberg's Keyboard Transcriptions: Exploring the Possibilities of a Modern Authentic Performance, Andreas Xenopoulos

2013

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A Chant from the Great Plains: An Analysis and Rationale for a Critical Edition, Raul G. Barcenes

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THE IDENTIFICATION OF FACTORS CONTRIBUTING TO FIRST-YEAR COLLEGE STUDENTS’ MINDSET OF SINGING ABILITY, AND THE RELATIONSHIP OF THAT MINDSET TO INTENT TO PARTICIPATE IN SINGING ACTIVITIES, Susan Cogdill

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Violin Concerto #1, Matthew J. Holman

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ZHAO XIAO-SHENG’S TAI CHI REFLECTION: His Innovative Tai Chi Compositional System and its Execution in Tai Chi for Solo Piano, Feifei Jiang

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The Pedagogical Legacy of Vicente Scaramuzza: The Relationship Between Anatomy of the Hand, Tone Production, and Musical Goals, Marcelo G. Lian

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Orchestral Tuba Audition Preparation: The Perspective of Three Successful Teachers, Golden A. Lund

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Symphony No. 1 for Double Wind Orchestra, Amanda McCullough

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Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue, Michael S. Tully

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THE CHORAL MUSIC OF JAMES E. FRITSCHEL WITH A CONDUCTOR'S SPECIAL FOCUS ON THE PREPARATION OF HIS POLYCHORAL COMPOSITIONS, Jennifer Vanderholm

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Revising Music Theory Curricula in Response to Varied Student Backgrounds: A Survey, Anna Barbara Vezza

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ELEMENTS OF TRADITIONAL FOLK MUSIC AND SERIALISM IN THE PIANO MUSIC OF CORNEL ȚĂRANU, Cristina Vlad

2012

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Song of the Wind, Aaron B. Bittman

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A Little Rumba Numba: Latin American Music in Musical Theatre, John David Cockerill

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A SURVEY OF THE SACRED CHORAL-ORCHESTRAL WORKS OF SIR HENRY WALFORD DAVIES (1869-1941), Martin C. Cook

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The Choral Music of Allen Henry Koepke (1939-2012) with a Conductor's Special Focus on the Preparation of His Seminal Work, Missa Brevis, Keith J. Curington

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Symphony in Three Marches, Nels D. Daily

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Performing Editions of the Handel Cantatas HWV 81, 105, and 113 for Soprano, Obbligato Instruments, and Continuo, or Piano Reduction, with Accompanying Notes, Phonetic Pronunciations, and Translations, Elizabeth N. Deutmeyer

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Germaine Tailleferre's Film Score To Les Grandes Personnes, Jenna E. Moghadam

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MAKIKO KINOSHITA AND HER 9 PRELUDES FOR PIANO: THE AMALGAM OF AMERICAN JAZZ AND EUROPEAN TRADITION, Mai Nagatomo

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The Impact of Vowels on Pitch Finding and Intonation in the Movable-Do Solmization System, Thomas Neuerburg

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Voice Recitals at the UNL School of Music: Compilation study, Audrey M. Nicholson

2011

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Possibilities for Tuba Quartet/Ensemble and Percussion, Anthony J. Burnham

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A Comparison of Viola Strings with Harmonic Frequency Analysis, Jonathan Paul Crosmer

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Understanding Professional Growth Opportunities Utilized by Nebraska Music Educators, Phillip K. Hesterman

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The Status of Students with Special Needs in the Instrumental Musical Ensemble and the Effect of Selected Educator and Institutional Variables on Rates of Inclusion, Edward C. Hoffman III

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Helen: An opera in one act, Garrett Hope

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Cognitive Processes for Infering Tonic, Steven J. Kaup

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David Maslanka's Desert Roads, Four Songs for Clarinet and Wind Ensemble: An Analysis and Performer's Guide, Joshua R. Mietz

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A Study of K-12 Music Educators' Attitudes Toward Technology-assisted Assessment Tools, Lance D. Nielsen

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The WDR Big Band: A Brief History, Gabriela A. Richmond

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Beginning Conducting Curricula: Building Course Objectives upon the Foundations of Aural Image and Natural Body Movement, Tobin E. Stewart

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An Evaluation of Compositions for Wind Band According to Specific Criteria of Serious Artistic Merit: A Second Update, Clifford Towner

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High Water Mark: Suite for Jazz Octet, David von Kampen

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Randall Thompson's Requiem: A Text Setting Analysis and Recommendations for Performance, Zachary J. Vreeman

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The Contribution of Twentieth Century African American Composers to the Solo Trumpet Repertoire: A Discussion and Analysis of Selected works by: Ulysses S. Kay, Adolphus C. Hailstork, Regina Harris Baiocchi, and Charles Lloyd, Jr., Orrin M. Wilson

2010

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A stylistic analysis of three flute pieces by David Froom: Circling for flute and clarinet, To Dance to the Whistling Wind for solo flute, and Lightscapes for flute and piano, Candice Behrmann

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A Salience-Based Analytic Method Applied to André Jolivet’s Concertino for Trumpet, String Orchestra, and Piano , Martin G. Bolt

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Selected Works for Violin and Piano by Chen Yi: Western Influences on the Development of Her Compositional Style, Xiang He

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A PERFORMER’S GUIDE TO THE ORIGINAL WORKS FOR SOLO HORN, HORN AND PIANO, TWO HORNS, AND TWO HORNS AND PIANO BY PAUL BASLER, Nicholas A. Kenney

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Three Works For Flute By Ian Clarke: An Analysis And Performance Guide, Shelly L. Monier

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THE FLUTE MUSIC OF PAUL DESENNE: A COMPARATIVE ANALYTICAL STUDY OF REPRESENTATIVE WORKS, Javier A. Montilla

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Dmitry Shostakovich's Twenty-Four Preludes and Fugues op. 87: An Analysis and Critical Evaluation of the Printed Edition Based on the Composer's Recorded Performance, Denis V. Plutalov

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Takemitsu and the Influence of "Cage Shock": Transforming the Japanese Ideology into Music, Mikiko Sakamoto

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A Metrical Analysis and Rebarring of Paul Creston's Sonata for Alto Saxophone and Piano, Op. 19, Christopher Kyle Sweitzer

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The Sacred Choral Music of Seth Daniels Bingham (1882-1972), with special focus on "The Canticle of the Sun" Op. 52, James E. Wilson

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INNOVATION AND TRADITION IN LISAN WANG’S PIANO SUITE OTHER HILL, Rongjie Xu

2009

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THE CONTRIBUTIONS OF AXEL JØRGENSEN TO THE SOLO TROMBONE REPERTOIRE OF DENMARK IN THE TWENTIETH CENTURY, Andrew H. Converse

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Missa prolationem, Kurt Knecht

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Understanding Folk Dance and Gypsy Style in Selected Pieces for Clarinet and Piano by 20th Century Hungarian Composers: An Interpretive Guide, Jessica Vansteenburg

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The Romantic Heritage: Dohnanyi's Compositional Language in His Six Concert Etudes, Op. 28, Michael A. Yenny

2008

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Gustav Jenner’s Clarinet Sonata in G Major, opus 5: An Analysis and Performance Guide with Stylistic Comparison to the Clarinet Sonatas, opus 120 of His Teacher, Johannes Brahms, Elizabeth R. Aleksander

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Soliloquies and Dances: An Analytical Introduction to the Solo Saxophone Repertoire of American Composer Elliot Del Borgo, Christopher Barrick

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The History of Choral Music Activity at the University of Nebraska-Lincoln 1885 – 1978, Rebecca C. Gruber

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ROBERTO SIERRA’S COMPOSITIONS FOR SOLO CLARINET, Alejandro L. Lozada

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Performance Practices in Four Puccini Arias: Tempo Choices and Choosers, Joshua O. Neumann

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Fields of Wonder: Exploring the Langston Hughes Song Cycles of Robert Owens, Jamie Reimer

2007

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MAX REGER’S TELEMANN VARIATIONS, OP.134: ANALYSIS AND CRITICAL EVALUATION OF EDITIONS, INCLUDING AN EXAMINATION OF REGER’S PERFORMANCE STYLE BASED ON CONCERT REVIEWS, christian peter bohnenstengel

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SEPTETS, OCTETS, NONETS: ROMANTIC CHAMBER MUSIC IN ITS CULTURAL CONTEXTS, Andrew L. de Alvaré

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An Analysis for Performance of Selected Unaccompanied Works for Trumpet by Robert Henderson, Hans Werner Henze and Verne Reynolds, Brendan McGlynn

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Visions Fugitives: Insights into Prokofiev's Compositional Vision, Steven Edward Moellering

2006

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The Evolution of Sonata Form in the Wind Music of W.A. Mozart, Brian Alber

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Music at the Fair! The Trans- Mississippi and International Exposition. An Interactive Website, Grace Carey

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Bach-Busoni Chaconne: A Piano Transcription Analysis, Marina Fabrikant

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Théodore Nisard’s Accompagnement du Plain-Chant from Dictionnaire Liturgique, Historique et Théorique de Plain-Chant et de Musique d’Église Au Moyen Age dans les Temps Modernes (1854): An English Translation, Gerald W. Holbrook

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Performance Practice Issues in the Short Solo Works of Serge Koussevitzky, Maurice Kelley

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MARK ADAMO: THE SOLO VOCAL WORKS THROUGH 2006, Scott D. Miller

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A MANIFESTATION OF APOLLONIAN ECUMENISM IN SELECTED PIANO WORKS OF ALEXANDER TCHEREPNIN (1899-1977), Svetlana Yashirin