2016: 15th Biennial; Crosscurrents: Land, Labor, and the Port
2014: 14th Biennial; New Directions: Examining the Past, Creating the Future
2012: 13th Biennial; Textiles and Politics
2010: 12th Biennial; Textiles and Settlement: From Plains Space to Cyberspace
2008: 11th Biennial; Textiles as Cultural Expressions
2006: 10th Biennial; Textile Narratives and Conversations
2004: 9th Biennial; Appropriation, Acculturation, Transformation

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2012

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My Journey of Knitting Wildlife, Ruth Marshall

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Sails: The Textiles of Empowerment, Bettina Matzkuhn

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The Politics of Pastoralism: Navajos, Churras and the Challenges of Sustainability in a Globalizing World, Kathy A. M'Closkey

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The Stigma of Fabrication: Craft Education in the 21st Century, Kathleen Morris

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Clothing or Decoration: Exploring the Penis Sheath of Papua New Guinea, Catherine Murphy

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A Wari Tapestry Textile in a Tiwanaku Tomb from the Osmore Valley, Moquegua, Peru, Amy Oakland

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The Shoso-in Textiles of the Era of Emperor Shomu, Atsuhiko Ogata

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The Mamluk Kaaba Curtain in the Bursa Grand Mosque, Sumiyo Okumura

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Textiles, Political Propaganda, and the Economic Implications in Southwestern Nigeria, Margaret Olugbemisola Areo and Adebowale Biodun Areo

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The Political Handkerchief, A Study of Politics and Semiotics in Textiles, Emma Osbourn

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Political Intentions of Chinese Textiles in Portuguese Sacred, Solemn, Celebratory Events of the16th - 18th Centuries, Maria João Pacheco Ferreira

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Dahomey Appliqués and the Politics of Production, Holly Paquette

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Challenging the Politics of Creating Art in the 21st Century: An Artist/Educator's Perspective, Claire Campbell Park

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“By your exertions conjointly with ours”: British printed cottons in Brazil, 1827-1841, Sarah B. Parks

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Identity, Innovation and Textile Exchange Practices at the Paracas Necropolis, 2000 BP, Ann H. Peters

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An Andean Colonial Woman’s Mantle: the New World and its Global Networks., Elena Phipps

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Deceptive Textiles: Lister’s Velvet Loom, Resilitex, Decoys for WW II, Britain, Barbara Setsu Pickett and Eugene Nicholson

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Fallen Soldiers, Vita Plume

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History Under Foot: Politics, Patriotism, and the “Liberty Rug”, Amy Poff

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Ancient Emblems, Modern Cuts: Weaving and the State in Southeastern Indonesia, Ian Pollock

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From Feed Sack to Clothes Rack: The Use of Commodity Textile Bags in American Households from 1890 – 1960, Margaret Powell

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Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) A Political Strategy, Maria Anne Privat Savigny

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Towards a Proactive Outreach Political Strings: Tapestry Seen and Unseen, Linda Rees

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The Kanga, A Cloth That Reveals- Co-production of Culture in Africa and the Indian Ocean Region, Phyllis Ressler

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The Influence of Tribal Conflict, the Great Game, and Trade on Qaraqalpaq Costume, David Richardson

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Felt Space: Responsive Textiles, Fabric Dwellings and Precarious Housing, Kirsty Robertson

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Sleeping Amongst Heroes: Copperplate-printed Bed Furniture in the "Washington and American Independance [sic] 1776; the Apotheosis of Franklin” Pattern, Whitney A. J. Robertson

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The Politics of Textiles Used in African American Slave Clothing, Eulanda A. Sanders

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Anticipating the Silk Road; Some Thoughts on the Wool-Murex Connection in Tyre, Jane Schneider

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Textiles' Treasure from Jericho Cave 38 in the Qarantal Cliff Compared to other Early Medieval Sites in Israel, Orit Shamir and Alisa Baginski

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Political Voices of Three Left Coast Artists: Gyongy Laky, Linda Gass, Linda MacDonald, Barbara Shapiro

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Knitting the News and other Stories, Adrienne Sloane

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The Parenthetical Notation Method for Recording Yarn Structure, Jeffrey C. Splitstoser

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Blinded by the Veil, Laura Stemp-Morlock

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Knitting as Scholarship, Susan M. Strawn

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The Politics of Textile Entrepreneurship Loja Saarinen and Her Weaving Studio in the Cranbrook Art Community, Leena Svinhufvud

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The Reluctant Reformer: May Morris’ United States Lecture Tour of 1909-1910, Natasha Thoreson

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The Twenty-first Century Voices of the Ashanti Adinkra and Kente Cloths of Ghana, Carol Ventura

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On the Edge: The Artwork of Linda Wallace and Dorothy Clews, Linda Wallace and Dorothy Clews

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Interior Iron Curtains: United States Textile Design of the Cold War Era, Morgan Walsh

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A New Interpretation of Certain Bobbin Lace Patterns in Le Pompe, 1559, Laurie Waters

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Making (in) Brooklyn: The Production of Textiles, Meaning, and Social Change, Tali Weinberg

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Made in America: Yarns from the Heartland Brown Sheep Company, Wendy Weiss

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Textiles and Politics – Dishtowels and Diatribes, Carol D. Westfall

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The Political Stitch: Voicing Resistance in a Suffrage Textile, Eileen Wheeler

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Clothes Make the Page: Uniforms in the U.S. Capitol, Felicia Wivchar

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Art and Politics: Contemporary Arpilleras, Flora Zárate

2010

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12th Biennial Symposium Program, Part 1, Textiles and Settlement: From Plains Space to Cyber Space

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12th Biennial Symposium Program, Part 2: Concurrent Local Exhibitions at Participating Museums and Galleries

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HEAD COVERINGS IN THE VIRTUAL UMMA: THE CASE OF NIQAB, Heather Marie Akou

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TEXTILES AND TRADITION IN THE MARKETPLACE, Philis Alvic

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BENI ITAJIME: CARVED BOARD CLAMP RESIST DYEING IN RED, Masanao Arai and Yoshiko Iwamoto Wada

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PROMOTING THE TACTILE IN A VIRTUAL WORLD: AN OVERVIEW OF FIBERSCENE.COM, Susan Taber Avila and Myra Block Kaiser

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TEXTILES OF QARAQALPAQSTAN AND THEIR RELATIONSHIP TO CENTRAL ASIAN TRADITIONS AND THE LEGACY OF IGOR SAVITSKY, Marinika Babanazarova

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CHOREOGRAPHED CARTOGRAPHY: TRANSLATION, FEMINIZED LABOR, AND DIGITAL LITERACY IN HALF/ANGEL’S THE KNITTING MAP, Deborah Barkun and Jools Gilson

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Oriental Carpets, Spatial Dimension, and the Development of Linear Perspective: From Grid to Projective Grid, Carol Bier

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Progressional Journeys: Compelling New Directions for Three “New Basketry” Artists, J. Penny Burton

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Natural Dyes, Our Global Heritage of Colors, Dominique Cardon

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Kyrgyz Felt of the 20th and 21st Centuries, Dinara Chochunbaeva

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Conversation With Nature, Kyoung Ae Cho

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The History and Analysis of Pre-Aniline Native American Quillwork Dyes, Christina Cole and Susan Heald

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Binary Fiction: Digital Weaving 2010, Concurrent Exhibitions and Eisentrager-Howard Gallery

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Needlepoint by Stephen Beal, Concurrent Exhibitions and Gallery 9

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Color and Pattern: Tribal and Contemporary Ikats of India and Laos, Concurrent Exhibitions and Lentz Center for Asian Culture

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Anna Von Mertens: AZMT & Aura, Concurrent Exhibitions and The Project Room

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New Material World: Rethreading Technology, Concurrent Exhibitions and The Sheldon Museum of Art

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Surrounded: Large and Small Work by Lillian Elliott Awardees, Concurrent Exhibitions and Tugboat Gallery

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Fueled by Silk: Victorian Crazy Quilt Mania, Patricia Cox Crews

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Woven Color in China/ The Five Colors in Chinese Culture and Polychrome Woven Textiles, Zhao Feng

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View From The Shoulders Of Thar Masters: New Space For Ply-Split Braiding, David W. Fraser

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The Fiber of Our Lives: A Conceptual Framework for Looking at Textiles’ Meanings, Beverly Gordon

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Trousseaux: From Weaving Handwoven Textiles to Collecting Mass Commodities, Kimberly Hart

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The Landscape Tapestries of Louise Nevelson, 1972-1997, Ann Hedlund

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Future Reliquaries, Barbara Heller

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JACQUARD: A LOOM OF OPPORTUNITY WORKSHOP, Julie Holyoke

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Spin Artists, and How the Internet Fuels the Art Yarn Movement, Tracy P. Hudson

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Morphological Differences Between Ramie and Hemp: How These Characteristics Developed Different Procedures in Bast Fiber Producing Industry, Min Sun Hwang

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Mapping Textile Space: Stitched and Woven Terrains, Elizabeth Ingraham

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Geometric Abstraction in pre-Columbian Tapestry and its Enduring Influence, Susan Iverson

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Digital Costume Display, Katia Johansen

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Walnut Dye for Wool and Silk and Development of a Color Palette for a Product Line, Anjali Karolia

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Handwork as a Conceptual Strategy, Jane Kidd

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Artisanal Textile Manufacturing, Bethanne Knudson

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The Way of Sami Duodji: From Nomadic Necessity to Trademarked Lifestyle, Desiree Koslin

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Low Tech Transmission: European Tapestry to High Tech America, Christine Laffer

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FIGURED VELVETS FROM SIMPLE LOOMS: VELVET PICK-UP AND RELATED TECHNIQUES FOR HANDWEAVERS, Wendy Landry

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Kitab al-Hadaya wa al-Tuhaf: A Unique Window on Islamic Textiles, Wendy Landry

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Order and Complexity in My Woven Work, Janice Lessman-Moss

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Invisible No More: The Embellished Abaya in Qatar, Christina Lindholm

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Contemporary Interpretation of an Unusual Navajo Weaving Technique, Connie Lippert

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Colcha Embroidery as Cartography: Mapping Landscapes of Memory and Passage, Suzanne P. MacAulay

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Synthetic Fibers, Showy Cars and Sportshirts: Liberating the Fashion Spirit of “the man in the gray flannel suit”, Diane Maglio

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New Insights from the Archives: Historicizing the Political Economy of Navajo Weaving and Wool Growing, Kathy M'Closkey

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Tradition Embraces “The New”: Depictions of Modernity on Japanese Kurume E-gasuri Futon-ji, Ann Marie Moeller

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Shipibo Textile Practices 1952-2010, Claire Odland and Nancy Feldman

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OF GODS AND GANGS: INDIGO AS A NEW EDUCATIONAL MODEL, Jenny Balfour Paul

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Cutting Through the Surface: The Use of Laser Cutting Technology with Traditional Textile Process, Jessica Payne

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Tracing Cochineal Through the Collection of the Metropolitan Museum, Elena Phipps and Nobuko Shibayama

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Velvetweaving Today: A Worldwide Overview, Barbara Setsu Pickett

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THE SACRED YELLOW, Bina Rao