Abstract
An iconic staple of 1990s Hollywood cinema, director-screenwriter Amy Heckerling’s Clueless (1995) is a cult classic. This article examines the film’s postmodern visual dynamics, which parody hyperreal media culture and its connection to feminine teen consumerism amidst the image-saturated society of mid-’90s era Los Angeles.
Recommended Citation
Urie, Andrew
(2017)
"Hyping the Hyperreal: Postmodern Visual Dynamics in Amy Heckerling’s Clueless,"
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy: Vol. 4:
Iss.
1, Article 5.
Available at:
https://digitalcommons.unl.edu/dialogue/vol4/iss1/5
Included in
American Popular Culture Commons, Critical and Cultural Studies Commons, Curriculum and Social Inquiry Commons, Scholarship of Teaching and Learning Commons, Visual Studies Commons