George Eliot Review Online

 

Authors

Giles Foster

Date of this Version

2010

Document Type

Article

Citation

The George Eliot Review 41 (2010)

Comments

Published by The George Eliot Review Online https://GeorgeEliotReview.org

Abstract

A loss for words ... I am genuinely lost for words in my admiration of the novels but the title of today's talk is intended to dig a bit below the surface of simple enjoyment and highlight some of the differences - strengths and weaknesses - between novels and adaptations. What words alone can and can't do. What a film adaptation can achieve and omit. What a stage version can offer. And we should not forget other experiences of encountering books - a mother reading to children, a radio or audio tape reading.

A few years ago there was a lot of discussion about the death of the novel. 'People just aren't reading books any more' was an often heard (or read) sentiment. I always disagreed because at least in my little world which includes a daily journey by train and tube into London there has always been a high proportion of passengers with their noses in books.

I love to see someone totally immersed in reading, wrapped up in their own world. You are happy for them - the peace, the opportunity for imaginative 'travel in the mind'. And on a crowded train if you are standing you may look over their shoulder and be rather curious and a little jealous of what they are reading.

The experience of reading a novel is different in so many ways from the experience of watching a film. And any adaptation, particularly of a book that is as well known and loved as Adam Bede, will always invite criticism - 'I thought he was totally miscast'; 'She would never have had her hair like that'; 'I hated the music'; 'It's just not how I imagined it'.

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