
Textiles, Merchandising and Fashion Design, Department of
Department of Textiles, Merchandising, and Fashion Design: Dissertations, Theses, and Student Research
1) it is optional, not required (the ProQuest deposit is required); and
2) it will be available to everyone online; there is no embargo for dissertations in the UNL Digital Commons.
Master's candidates: Deposit of your thesis or project is required. (If an embargo [restricted access] is necessary, you may deposit it at http://digitalcommons.unl.edu/embargotheses/ only after getting approval from your department and the Graduate Office; contact Terri Eastin).
TO DEPOSIT YOUR DISSERTATION OR THESIS
1. Create or log in to your Digital Commons account
To create an account: click on My Account at http://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.
2. Find the right series to deposit in
Go to the correct series in the UNL Digital Commons [series links are in the file linked here].
On the correct series page, click the Submit your paper or article link at the bottom of the gray box at left.
3. Instructions for deposit
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.
YOU DID IT; your work is submitted!
CONGRATULATIONS on reaching this amazing milestone in your academic career!
4. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.
Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.
It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.
But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.
2022
The Making of Everyday Hollywood: 1930s Film Influence on Everyday Women’s Fashion in Nebraska, Anna Naomi Kuhlman
2021
These Are My People: An Ethnography of QuiltCon, Kristin Barrus
Beauty and Lifestyle Subscription Services: A Modern Retailing Format for the Vigilante Collaborative Consumption Consumer, Melisa Spilinek
2020
Influence of Convenience, Time-savings, Price, and Product Variety on Amazon Prime Members and Non-Prime Shoppers’ Online Apparel Purchase Intention, Md Rashaduzzaman
2019
An Evaluation of Sustainability in Consumption: The Behaviors Behind Purchase, Care, and Disposal of Apparel, Ana La Rosa
Sins Against Our Soles: The Morality and Hygiene of Nineteenth-Century Women's Shoes, Nicole Rudolph
Millennials' Acceptance of Voice Activated Shopping, Katelyn Nicole Sorensen
Country of Origin Impact on Consumer Perception of Value in Fast Fashion, Katherine Walter
2018
Buying Behaviors of Generation X Women on Fast Fashion Products: A Mixed Methods Study, Yiyue Fan
2017
THE DEMOGRAPHIC PROFILE FOR FEMALE TEXTILE-DESIGN BLOGGERS, Khadijah Baaqil
2016
Development of Composites from Waste PET - Cotton Textiles, Madhuri Palakurthi
2015
Bio-Crosslinking of Starch Films with Oxidized Sucrose, Hazal Canisag
Keeping Nebraska in Fashion: The Success of Postwar Custom Dressmaker Ilona Dorenter Berk, Kylin P. Jensen
Influence of Parents, Peers, Internet Product Search and Visual Social Media on College Students’ Purchase Behavior: A Mixed Methods Study, Jennifer E. Johnson
2014
Fabrication of 3D Ultrafine Fibrous Protein Structures via Freeze-Drying, Yiling Huang
The Relationship Between Fashion Blogs and Intention to Purchase and Word of Mouth Behavior, Cassidy L. Vineyard
2013
The Influence of Mobile Website Quality on Consumer Satisfaction and Behavior, Xiuyuan Gao
Crusading Quilts: Social Reform and the Woman's Christian Temperance Union, Amanda Lensch