Graduate Studies, UNL
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
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First Advisor
Paul Barnes
Degree Name
Doctor of Musical Arts (D.M.A.)
Committee Members
Anthony Bushard, Brenda Wristen
Department
Music
Date of this Version
4-28-2026
Document Type
Dissertation
Citation
A dissertation presented to the faculty of the Graduate College at the University of Nebraska in partial fulfillment of requirements for the degree Doctor of Musical Arts
Major: Music
Under the supervision of Professor Paul Barnes
Lincoln, Nebraska, May 2026
Abstract
Ann Southam stands as one of Canada’s foremost minimalist composers. Her fifteen-piece piano set Glass Houses, composed in 1981 and revised in 2009, reflects the joyful, dance-like energy of Canadian fiddle music that inspired it. While Glass Houses has frequently been discussed within the context of minimalist composition, less attention has been given to the ways in which the work resonates with Canadian fiddle traditions. This document draws on existing scholarship on Métis, French-Canadian, Newfoundland, Anglo-Canadian, and Scottish fiddle traditions to trace and clarify structural, rhythmic, and textural affinities between Canadian fiddle tunes and Glass Houses. Focusing on Glass Houses No. 5 as a representative piece from the set, the document further presents performance considerations, particularly in matters of phrasing, articulation, touch, pulse, and the sustaining of momentum across extended spans of repetition. These considerations are informed both by Southam’s own performance indications and by the structural and stylistic affinities between the piano set and Canadian fiddle music, which together provide a framework for pianistic interpretation.
Recommended Citation
Nikolaidou, Evangelia, "Musical Affinities Between Ann Southam's Glass Houses and Canadian Fiddle Tunes with Performance Considerations for Glass Houses No. 5" (2026). Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–. 475.
https://digitalcommons.unl.edu/dissunl/475
Comments
Copyright 2026, Rebecca McDermott. Used by permission