Great Plains Studies, Center for

 

Date of this Version

1995

Comments

Published in Great Plains Quarterly 15:2 (Spring 1995). Copyright © 1995 Center for Great Plains Studies, University of Nebraska-Lincoln.

Abstract

Of all the mythologies Americans have constructed for themselves, that surrounding the cowboy is among the most influential and persistent. Blake Allmendinger's book attempts to correct this popularized myth by examining how cowboys represented themselves. The Cowboy argues that authentic cowboy culture is best defined as an expression of labor and its self-representation in art. While this is an interesting direction to take in itself, what especially recommends it is Allmendinger's interdisciplinary method. He skillfully combines traditional historical and literary approaches with an examination of folkloric and pop culture sources to create a complex picture of an evolving culture.

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