Great Plains Studies, Center for

 

Date of this Version

Winter 2007

Citation

Great Plains Quarterly Vol. 27, No. 1, Winter 2007, pp. 68-69.

Comments

Copyright 2007 by the Center for Great Plains Studies, University of Nebraska-Lincoln

Abstract

Visual history is gaining respect as a portal to the past, and one individual who stands out in depicting life on the northern Great Plains of the American West is Laton Alton Huffman. This book is a splendid celebration of Huffman's life work, first as post photographer at Fort Keogh in 1879 where he made portraits of Indians near the end of the Indian Wars, and later as a professional photographer in Miles City, Montana, where he recorded life on the frontier, including buffalo, cattle ranching, hunting, small town life, western personalities, reservation life, and the beginning of the end of the old West with the arrival of the railroad, farmers, and fences.

Huffman inspired several of the great western painters including Ed Borein, Frederick Remington, and his good friend Charley Russell. His photographs were also used for many years by authors and editors to illustrate magazines, books, pamphlets, and calenders, among them Harper's Weekly, Roycroft publications, and Century Magazine.

The book addresses one of the difficult issues surrounding the authorship of nineteenth- century photography, since it was customary then to print a photographer's work under another photographer's imprint. For example, Huffman published Stanley Morrow's views of the Custer battlefield under his own name, while William Hook published Huffman's images under the Hook imprint.

Huffman used many formats of photography and image reproduction in carrying out his business, leaving to today's collector and researcher a rich and varied archive of albumen prints made with the wet plate process, dry plate silver prints, and rich photomechanical collotype prints and postcards, many of which were hand colored. Stereoviews, postcards, cabinet cards, panoramas, and a wide variety of larger prints are reproduced in the book from the impressive collection of rare book dealers Gene and Bev Allen.

To explain fully the power of this presentation of Huffman's body of work, one notes that no cost was spared in printing the illustrations in full color on a heavy, coated paper that brings out the detail and charm of the images and formats of expression Huffman used to share his experience and vision of life on the Great Plains.

This book stands with the very best pictorial histories of life in the Old West, delivering its information with quality book design, illustrations, and production.