Great Plains Studies, Center for
Date of this Version
Spring 1998
Citation
Great Plains Quarterly Vol. 18, No. 2, Spring 1998, pp. 172.
Abstract
In an exhibition and publishing collaboration, the Colorado Historical Society, the Denver Art Museum, and the Denver Public Library provide an absorbing visual and conceptual experience titled The Real West. Its strength is the manner in which the publishers have provided a novel visual statement through the color plates and photographs that comprise over 75 percent of the book.
The volume represents the effort of numerous individuals: Andrew E. Masich wrote the Introduction; Patricia Nelson Limerick authored the Commentary; Georgianna Contiguglia, Gwen F. Chanzit, and Eleanor Gehres collaborated on the Afterword. The text provides a frame of reference for the exhibition of artifacts, offering us a clear picture of the constructed reality of the West.
The 20,000 square foot display which opened at the three institutions on 30 March 1996 was the first major exhibition concerned with issues of the American West to be developed and presented in the West. Its 1700 objects were organized around icons viewers would easily recognize-a Cowboy, gold, a windmill, a Main Street, the Rocky Mountains, a tipi, an adobe church, a Fort. The catalog describes how the icons were used to organize, code, and focus the exhibition.
The true test for most curators or developers of an exhibition is creating an accompanying catalog that provides an experience akin to that of the exhibit itself for individuals who never saw it. How can the original experience have a life outside gallery walls? The authors and publishers of The Real West attempt to solve that problem by providing readers with essays rich in revealing historical insight and with a selection of compelling juxtaposed works from the exhibition.
Comments
Copyright 1998 by the Center for Great Plains Studies, University of Nebraska-Lincoln