History, Department of
Title
"Gorilla Trails in Paradise": Carl Akeley, Mary Bradley, and the American Search for the Missing Link
Document Type
Article
Date of this Version
September 2006
Abstract
“Gorilla Trails in Paradise” explores the American
obsession with primates and evolution, as informed
by notions of race and sexuality, as an
important current in American cultural and intellectual
history during the late nineteenth and early
twentieth centuries. This preoccupation began
with queries regarding the relationship between
man and ape in light of evolutionary theories that
predated the publication of Darwin’s seminal treatises.
However, Darwinian evolution brought the
question of that relationship into mainstream discourse.
No longer confined to the musings of
learned white men, the ape–human puzzle informed
American popular thought and popular
culture by the late nineteenth century.
This article explores how a group of middle-class
Americans took up the search for the missing
link by conducting a safari in Africa, and how
their quest transformed and influenced American
ruminations on the ape–human relationship. In
this examination, the article discloses the transatlantic
connections involving this pursuit of gorillas
in the misty mountains of the Belgian Congo,
particularly as those international links reflected
and reinforced the politics of empire. Specifically,
the article recounts and analyzes the Akeley African
Expedition to the Belgian Congo conducted
in 1921 under the auspices of the American
Museum of Natural History (AMNH) to create
an unparalleled gorilla diorama (a museum exhibit
of stuffed animals posed in a simulated habitat).
It tracks how the safari morphed into (1) a mission
to rehabilitate the image of the gorilla and
(2) a campaign for the preservation of the gorilla.
The article places special emphasis on the relationship
between the Belgian government and American
scientists in creating the world’s first gorilla
sanctuary. Lastly, “Gorilla Trails in Paradise” discusses
how the images of the gorilla as painted in
the travel narratives of naturalist Carl Akeley and
writer (and safari participant) Mary Hastings Bradley
emerged and indeed became imbedded in cinematic
culture.

Comments
Published in The Journal of American Culture 29:3 (September 2006), pp. 321–336. doi:10.1111/j.1542-734X.2006.00374.x Copyright © 2006 Jeannette Eileen Jones; published by Blackwell Publishing, Inc.