Fabric as a Narrative: Constructing a Global Quilting Tradition

Authors

Evan Bland, University of Nebraska-Lincoln
Laura Chapman, University of Nebraska-Lincoln
Ashley Ermel, University of Nebraska-Lincoln
Takako Iwatani, University of Nebraska-Lincoln
Tanna Kimmerling, University of Nebraska-Lincoln
Linsey Marshall, University of Nebraska-Lincoln
Audrey Pribnow, University of Nebraska-Lincoln
Antona Beckman, University of Nebraska-Lincoln
Metta Cederdahl, University of Nebraska-Lincoln
Madeline Donovan, University of Nebraska-Lincoln
Sara Lackey, University of Nebraska-Lincoln
Kristin Limoges, University of Nebraska-Lincoln
Alicia Roth, University of Nebraska-Lincoln
Maika Bauerle, University of Nebraska-Lincoln
Michaela Stevens, University of Nebraska-Lincoln
K. J. Hascall, University of Nebraska-Lincoln
Katie Nieland, University of Nebraska-Lincoln
Shannon Smith, University of Nebraska-Lincoln
Kirk Fellhoelter, University of Nebraska-Lincoln
Jill Havekost, University of Nebraska-Lincoln
Rick Alloway, University of Nebraska-LincolnFollow
Nancy Anderson, University of Nebraska-LincolnFollow
Timothy G. Anderson, University of Nebraska - LincolnFollow
Charlyne Berens, University of Nebraska-LincolnFollow
Stacy James, University of Nebraska-LincolnFollow
Marilyn Hahn, University of Nebraska-LincolnFollow
Anna Mostek, University of Nebraska-Lincoln
Bruce Thorson, UNL College of Journalism and Mass CommunicationsFollow

Date of this Version

2008

Comments

Depth Report, College of Journalism and Mass Communications, University of Nebraska- Lincoln, 2008. Copyright 2008 University of Nebraska- Lincoln.

Abstract

OVERVIEW – The tradition of quilting is engaging people of all ages, genders and classes around the globe
CULTURE – Quilting empowers women and provides them an outlet for expression
MUSEUMS – Museum exhibitions and academics have shown quilting in a different light
THE WHITNEY – The exhibition that changed it all
IQSC – A strong quilting tradition prompts a couple to let their 900-quilt collection establish a museum
AQSG – High standards in quilt-related studies
DOCUMENTATION – Preserving and cataloging quilts make sure information is not lost for future generations
ART QUILTS – As the perception of quilting changes, the craft is increasingly accepted in the world of art
AFRICA – The popularity of quilting, though not a native craft, rises with indigenous people
ASIA – A continent with a deep textiles history celebrates culture through fabric
JAPAN – Ancient sewing techniques once used to create beautiful kimonos now guide modern-day Japanese quilters
EUROPE – Centuries of tradition led contemporary quilters to push for revival
WHOLE CLOTH – Tradition in style and detail
AUSTRALIA – After a fascinating beginning, Australian quilting continues to use techniques inspired by its surroundings
AMERICAS – Immigrants started to shape the American quilt before they finished shaping the country
HAWAII – Bold, bright patterns are reflected through the distinct appliqué style of Hawaiian quilts
AFRICAN AMERICAN – Pieces made with purpose convey meaning through strong patterns and bold colors
BUSINESS – Love of the craft guides business owners to provide quilters with tools
OUTREACH – Quilting as a form of outreach goes beyond state boundaries and spans generations and continents as people worldwide use quilts to connect with others
AIDS QUILT – Piece-by-piece, a quilt is formed by victims’ families and friends to create a fabric legacy
YOUNG QUILTERS – Established quilters strive to garner interest from a younger generation

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