Date of this Version
From Creating Textiles: Makers, Methods, Markets. Proceedings of the Sixth Biennial Symposium of the Textile Society of America, Inc. New York, NY, September 23–26, 1998 (Earleville, MD: Textile Society of America, Inc., 1999).
Grapes and grapevines are prominent motifs in the vast range of Jewish art dating back to Antiquity. In recent decades, there has been growing interest in creating contemporary Jewish ceremonial textiles for the home and synagogue, as well as textile art on Jewish themes. The grape and vine motif have often been included in these new works.
A brief survey of Jewish sources:
Grapes and wine are highly important symbols in Jewish tradition and ritual and date back to the 1st century. A magnificent golden vine that hung over the inner portal of the Second Temple was described by Josephus and the Mishnah.! The Hasmoneans and Bar Kochba followers struck a cluster of grapes on their victory coins as a symbol of the fertility of the country. This same emblem appears slightly later as a decoration in mosaic floors of synagogues. In literature of the period, the vine is prominent as a Messianic symbol (Enoch, 32:4). There is a suggestion that the fruit of the Tree of Wisdom was like bunches of grapes on a vine. Noah planted a vine after the Flood. The importance of the vine is attested to by the Bible's many synonyms for its branches: baddim, banot, daliyyot, zalzallim, zemorah, hoter, yonek, kannah, matteh, netishot nezer, anat, porah, kezirim, shelalot, sarigun and sorek. Over 40 expressions connected with viticulture are mentioned in the Bible and Talmudic literature.