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This paper explores the proliferation of sculptural forms made exclusively by crocheting. Crochet is explored as a tool and medium that create sculptural forms and installations of grand scale.
My presentation compares and contrasts the connections between personal and private space as they are presented in the artwork of Andrea Zittle “Uniform Project” with the public and collective artwork of artist, Jennifer Marsh, and her “International Fabric Collective” project. The scope and scale in which these artists work present two different methodologies for developing large-scale projects that are based on the use of crochet techniques.