History, Department of

 

First Advisor

Carole Levin

Date of this Version

11-2020

Citation

Herber, Courtney. “Towards Consortship: Performing Ritual, Intercession, and Networking in Tudor and Early Stuart England.” PhD Dissertation, University of Nebraska-Lincoln, 2020.

Comments

A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy, Major: History, Under the Supervision of Professor Carole Levin. Lincoln, Nebraska: November, 2020

Copyright © 2020 Courtney Herber

Abstract

Historically, the study of consorts has largely focused on how women performed the role – generally analyzing how a particular queen acted as a royal wife, mother, and manager of her household. While this makes sense as most of the consorts in English history were women, this is not the whole picture of the varied political roles of a consort. Looking at all of the foreign-born consorts in the Tudor and early Stuart years, one can clearly see that while the duties of a wife were important for the majority of individuals who took on the mantle of consort, that description does not fit all who sat at the side of the sovereign. That is because the majority of foreign-born individuals who took on the role of consort in those years, Katherine of Aragon, Anna of Denmark, and Henriette Marie de Bourbon, were all indeed royal wives, in addition to being royal consorts. Philip of Spain, though, was a consort but was certainly not a royal wife.

In this dissertation, I argue that a consort’s duties, while encompassing their role as a royal wife or husband, were largely political in nature and were facets of peaceweaving. Children were never a guarantee, but a foreign-born consort brought the possibilities of peace and prosperity to England through their marriage, their capacity for intercession, the crafting and utilization of domestic networks of obligation, and the maintenance of their natal and friendship networks abroad.

Advisor: Carole Levin

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