2012
Black US Army Bands and Their Bandmasters in World War I, Peter M. Lefferts
Sources of Thirteenth-Century English Polyphony: Catalogue with Descriptions, Peter M. Lefferts
2011
Compositional trajectories [Medieval music], Peter M. Lefferts
England [Medieval Music], Peter M. Lefferts
2010
An American Abroad: The Life and Career of Robert Owens, Jamie M. Reimer
Revealing Robert Owens: A Study of Compositional Style and Performance Practice in the Song Cycle Heart on the Wall, Jamie M. Reimer
2008
Review of Peter Wright, ed., Fifteenth-Century Liturgical Music, V: Settings of the Sanctus and Agnus dei., Peter M. Lefferts
2007
A RIDDLE AND A SONG: PLAYING WITH SIGNS IN A FOURTEENTH-CENTURY BALLADE, Peter M. Lefferts
2006
Sight-Reading Versus Repertoire Performance on the Piano: A Case Study Using High-Speed Motion Analysis, Brenda Wristen, Sharon Evfans, and Nicholas Stergiou
Assessment of Muscle Activity and Joint Angles in Small-Handed Pianists:, Brenda Wristen, Myung-Chul Jung, A. K. G. Wismer, and M. Susan Hallbeck
2005
Christian Creativity in a Post-Christian Ethos, Quentin Faulkner
Cognition and Motor Execution in Piano Sight-Reading: A Review of Literature, Brenda Wristen
Demographics and Motivation of Adult Group Piano Students, Brenda Wristen
2003
Review of Gareth Curtis, ed. Fifteenth-Century Liturgical Music, IV: Early Masses and Mass-Pairs, Peter M. Lefferts
2002
What are some of the problems faced by small-handed pianists?, Lora Deahl and Brenda Wristen
Music as Concept and Practice in the Late Middle Ages (review), Peter Lefferts
2000
Deceptive Pivot Points in J.S. Bach’s Orgelbüchlein, Quentin Faulkner
Information vs. Formation in the Training of Church Musicians, Quentin Faulkner
Avoiding Piano-related Injury: A Proposed Theoretical Procedure for Biomechanical Analysis of Piano Technique, Brenda Wristen
1999
Technical Exercises: Use Them or Lose Them?, Brenda Wristen
1998
Gothic Pillars and Blue Notes: Art as a Reflection of the Conflict of Religions, Part I, Quentin Faulkner
Gothic Pillars and Blue Notes: Art as a Reflection of the Conflict of Religions, Part II, Quentin Faulkner
Gothic Pillars and Blue Notes: Art as a Reflection of the Conflict of Religions, Part III, Quentin Faulkner
Granton: A Parable of Change, Quentin Faulkner
Agincourt Carol, Peter M. Lefferts
Alanus, J[ohannes] (d. 1373), Peter M. Lefferts
Angelas ad virginem, Peter M. Lefferts
Caput Mass, Peter M. Lefferts
Chapel Royal (Royal Household Chapel), Peter M. Lefferts
Dunstable, John (ca. 1395–1453), Peter M. Lefferts
Faburden, Peter M. Lefferts
Godric's Songs, Peter M. Lefferts
Harley 978, Peter M. Lefferts
Lady Chapel, Peter M. Lefferts
Music for Holy Week and Easter, Peter M. Lefferts
Review of Yolanda Plumley, The Grammar of 14th Century Melody: Tonal Organization and Compositional Process in the Chansons of Guillaume de Machaut and the Ars Subtilior., Peter M. Lefferts
1995
Die Registrierung der Orgelwerke J. S. Bachs, Quentin Faulkner
Signature-systems and tonal types in the fourteenth-century French chanson, Peter M. Lefferts
1993
Forks in the Road: Challenges and Rewards, Quentin Faulkner
Information on Organ Registration From a Student of J.S. Bach, Quentin Faulkner
1991
The Organ as a Profession: Facing the Future, Quentin Faulkner
1988
Griepenkerl on J.S. Bach’s Keyboard Technique: A Translation and Commentary, Quentin Faulkner
Subtilitas in the tonal language of Fumeux fume, Peter M. Lefferts
1985
Schutz and the Organ, Quentin Faulkner
1983
The Motet in England in the Fourteenth Century, Peter M. Lefferts
1980
J. S. Bach’s Keyboard Fingering: New Evidence, Quentin Faulkner