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Defining Micro-Opera: A New Operatic Genre
Abstract
In nearly every era of opera, smaller forms have developed alongside their larger counterparts. In the baroque and classical eras, there were the intermezzi. The romantic era saw the development of one-act opera and operetta. In the 20th century, modernism inspired the birth of Germany’s Zeitoper and the rise of chamber opera. Today, we have micro-opera. Although there is an ever-growing body of work, this art form has yet to be cohesively defined as a genre.This document defines micro-opera as a sub-genre of 21st century opera, though it is a descendant of 20th century modernist operatic forms. From these forms, it drew two of its most evident features: intimacy and brevity. These short, intimate operas gained further identity in the 21st century as librettists and composers centered on topical plots and situations. While eclectic in style, there is a uniformity of post-tonal harmonic and melodic techniques employed, deepening the connection between micro-opera and modernism. As a highly adaptable genre, the sets are often simple and practical, allowing for easy travel and a modest budget. The genre’s practicality is furthered by the small amount of required personnel. These factors all lend themselves to digital performance, a trend that became prevalent with the onset of the COVID-19 global pandemic. Though there are similar vocal forms (chamber opera, one-act opera, monodrama, etc.), micro-opera's unique combination of characteristics necessitates its designation as a distinct operatic sub-genre.Micro-opera’s unique qualities have spawned the interests of several opera companies, festivals, and initiatives. Many have commissioned and performed these works in recent years, examples include Minnesota Opera, Cleveland Opera Theatre, OperaVision, and One Ounce Opera, among others. Several academic institutions have also benefitted as the genre serves as a useful pedagogical tool as well as an economic performance option. Micro-opera composers, producers, and performers agree that the genre will continue to be a relevant performance option in the 21st century it inspires diversity and vitality within the operatic community.
Subject Area
Music|Music education
Recommended Citation
Shoemaker, Hayley K, "Defining Micro-Opera: A New Operatic Genre" (2023). ETD collection for University of Nebraska-Lincoln. AAI30420812.
https://digitalcommons.unl.edu/dissertations/AAI30420812