Date of this Version
Documentary Editing, Volume 23, Number 2, June 2001.
ISSN 2476-1796 (electronic); ISSN 2167-1451 (print)
One of the great advantages of the web is that there's a bunch of free stuff-that's the truism, anyway. But free stuff comes from somewhere, and it is rarely, if ever, free to produce. I am interested in exploring some of the costs of digital work, using as an example The Walt Whitman Hypertext Archive, a project I co-direct with Ed Folsom Since 1995, many people, myself included, have described our site as free, yet a considerable amount of resources continue to go into its making. I want to explore that conundrum.