The George Eliot Review Online, ISSN: 2831-5375
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Date of this Version
2005
Document Type
Article
Citation
The George Eliot Review 36 (2005)
Abstract
CONTENTS
Notes on Contributors .......................................................... 5
ARTICLES Dinah Birch: 'School-Time': George Eliot and Education (The Thirty-Second George Eliot Memorial Lecture, 16 October 2004) ................................... 7
Ceri Hunter: Moving Beyond Signs: The Crisis of Language in Daniel Deronda (Prize Essay) ................................................................................ 17
Leonee Ormond: George Eliot and the Victorian Art World ........................... 25
Bonnie Shannon McMullen: Legitimate Plots, Private Lots in Felix Holt and Daniel Deronda ........................................................................................................ .39
Omar Sabbagh: Aspects of 'Indefiniteness' in Middlemarch............................................... 46
Richard Winter: Romantic Love as Spiritual Companionship? A Buddhist Re-reading of George Eliot ......................................................................... 53
Miyuki Amano: The Widening Vision and Undying Hope in The Spanish Gypsy.......................... 63
Editors' Note ................................................................ 72
BOOK REVIEWS Graham Handley: George Eliot's Dialogue with John Milton. By Anna K. Nardo .............. 74
Margaret Harris: George Eliot. By Tim Dolin. Middlemarch. Edited by Gregory Maertz ................................................................................. 76
Mark Thrner: The Effective Protagonist in the Nineteenth-Century British Novel. By Terence Dawson ...................................................................... 78
Holly Furneaux: Our Daughters Must be Wives: Marriageable Young Women in the Novels of Dickens, Eliot, and Hardy. By Britta Zangen.............................................................. 81
Rebecca Mitchell: Monomania: The Flightfrom Everyday Life in Literature and Art. By Marina van Zylen .......................................................... 83
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