Review of In the Remington Moment by Stephen Tatum

Authors

• Brian Rusted, University of Calgary

Date of this Version

Spring 2011

Document Type

Article

Citation

Great Plains Quarterly 31:2 (Spring 2011).

Comments

Copyright © 2011 Center for Great Plains Studies, University of Nebraska.

Abstract

Stephen Tatum's study is motivated by two objectives. One is to read Remington's painterly gestures in the light of their production. His second takes up a question Brian Dippie posed a decade ago when reflecting on the lack of critical and academic respect that dogs western art. Can the work of an artist like Remington-nostalgic even in his time-be considered as more than a relic in ours? Might it still have an affecting presence a century after Remington's passing? Tatum's book is a palpable affirmation.