Great Plains Studies, Center for
Date of this Version
Spring 2011
Document Type
Article
Citation
Great Plains Quarterly 31:2 (Spring 2011).
Abstract
Modern Native American artistic performances originated in the widespread North American ceremonial complexes that combined community-based oral tradition and musical practice with the visual performative arts. Growing out of a 2002 "Ritual and Performance" workshop hosted by editor S. E. Wilmer, Native American Performance and Representation illuminates the links that bind American and Canadian Indigenous traditions to their correlate modernities, their diverse ceremonial rituals to expressive artistic performances. This edited volume casts its net broadly, attempting to "review and assess the changing nature of Native performance strategies in a multicultural society." But it essentially focuses on post-1960s theatrical performances and media representations (film, video, multimedia productions) as a means of preserving and reasserting community values "amid Eurocentric incursions and globalized lifestyles."
Comments
Copyright © 2011 Center for Great Plains Studies, University of Nebraska.