Theatre and Film, Johnny Carson School of

 

Date of this Version

1995

Citation

“The Blondest of the Blondes: National Socialist Paradigms for a New German Theatre.” New England Theatre Journal VI No. 2 (1995): 33-45.

Abstract

The German theatre underwent a revolution of shattering magnitude in 1933 when the National Socialists assumed power. The Nazis had an avid interest in theatre as an expression of “the peoples’ will,” even as they viewed the theatre of the Weimar Republic as a Babylon of “hyper-modern, bolshevistic, mollusk-like, and neurasthenic aesthetics.”

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