2009
THE CONTRIBUTIONS OF AXEL JØRGENSEN TO THE SOLO TROMBONE REPERTOIRE OF DENMARK IN THE TWENTIETH CENTURY, Andrew H. Converse
Missa prolationem, Kurt Knecht
The Romantic Heritage: Dohnanyi's Compositional Language in His Six Concert Etudes, Op. 28, Michael A. Yenny
2008
Gustav Jenner’s Clarinet Sonata in G Major, opus 5: An Analysis and Performance Guide with Stylistic Comparison to the Clarinet Sonatas, opus 120 of His Teacher, Johannes Brahms, Elizabeth R. Aleksander
Soliloquies and Dances: An Analytical Introduction to the Solo Saxophone Repertoire of American Composer Elliot Del Borgo, Christopher Barrick
The History of Choral Music Activity at the University of Nebraska-Lincoln 1885 – 1978, Rebecca C. Gruber
ROBERTO SIERRA’S COMPOSITIONS FOR SOLO CLARINET, Alejandro L. Lozada
Performance Practices in Four Puccini Arias: Tempo Choices and Choosers, Joshua O. Neumann
Fields of Wonder: Exploring the Langston Hughes Song Cycles of Robert Owens, Jamie Reimer
2007
MAX REGER’S TELEMANN VARIATIONS, OP.134: ANALYSIS AND CRITICAL EVALUATION OF EDITIONS, INCLUDING AN EXAMINATION OF REGER’S PERFORMANCE STYLE BASED ON CONCERT REVIEWS, christian peter bohnenstengel
SEPTETS, OCTETS, NONETS: ROMANTIC CHAMBER MUSIC IN ITS CULTURAL CONTEXTS, Andrew L. de Alvaré
An Analysis for Performance of Selected Unaccompanied Works for Trumpet by Robert Henderson, Hans Werner Henze and Verne Reynolds, Brendan McGlynn
Visions Fugitives: Insights into Prokofiev's Compositional Vision, Steven Edward Moellering
2006
The Evolution of Sonata Form in the Wind Music of W.A. Mozart, Brian Alber
Music at the Fair! The Trans- Mississippi and International Exposition. An Interactive Website, Grace Carey
Bach-Busoni Chaconne: A Piano Transcription Analysis, Marina Fabrikant
Performance Practice Issues in the Short Solo Works of Serge Koussevitzky, Maurice Kelley
MARK ADAMO: THE SOLO VOCAL WORKS THROUGH 2006, Scott D. Miller
A MANIFESTATION OF APOLLONIAN ECUMENISM IN SELECTED PIANO WORKS OF ALEXANDER TCHEREPNIN (1899-1977), Svetlana Yashirin