Theatre and Film, Johnny Carson School of
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
TO DEPOSIT YOUR THESIS, STUDENT RESEARCH, OR CREATIVE WORK
1. Create or log in to your Digital Commons account
To create an account: click on My Account at https://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.
2. Instructions for deposit
Click the Submit your paper or article link at the bottom of the gray box at left.
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.
YOU DID IT! Your work is submitted!
CONGRATULATIONS on reaching this amazing milestone in your academic career!
3. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.
Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.
It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.
But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.
2024
The Flick: An Exploration of Scenic Design Processes, Bradlee K. LaMotte
Big Fish: A Scenic Designer's Process, Anna K. Schwartz
Big Fish, the Musical: Lighting Through a Legacy, Kennedy N. Wilcher
2023
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Lighting the Mad Day, Francisco Hermosillo III
Wolfgang Amadeus Mozart’s The Marriage of Figaro, Camille Lerner
Arthur Miller: Death of a Salesman, Paige Moeller
Death of a Salesman: A Treatise on Technical Direction Practices, Stephanie Schlosser
Death of a Salesman: Nostalgia Refracted Through the Language of Light, Abbey Lynn Smith
Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee
2022
Properties Design and Construction for William Shakespeare’s: A Midsummer Night’s Dream, Nathan Alexander
Dontrell, Who Kissed the Sea: An Exploration of Scenic Design Process, Emma Laine Hoffbauer
Dontrell, Who Kissed The Sea: An Expedition into Technical Direction, Joseph J. Shelly Jr
2021
A Midsummer Night’s Dream: A Proficiency/Perspicacity in Technical Direction, Austin Elledge
A Midsummer Night’s Dream – A SCENIC DESIGN, Grace Trudeau
Bright Star - A Scenic Design, Marty Wolff
2020
The Legend of Georgia McBride: Change in Light of Passion, Bryce Bassett
The Gambler's Son – A Scenic Design, Jill Hibbard
The Glass Menagerie: Lighting Design Analysis And Reflection, Adam Jezl-Sikorski
2019
An Act of God: A Technical Direction Analysis, Daniel d'Egnuff
An Act Of God:Let There Be Light, Jaime Mancuso
Technical Direction of Mother Courage and Her Children, Michael Strickland
Costume Design and Execution of the Nebraska Repertory Theatre's Mother Courage and Her Children By Bertolt Brecht, Translated by Dr. William Grange, Adapted by Andy Park., Heather Mae Striebel
Designing a Miracle for David Javerbaum's An Act of God, Haley Williams
2018
AVENUE Q: AN ENDEAVOR IN TECHNICAL DIRECTION, Brendan Greene-Walsh
LORD OF THE FLIES - A SCENIC DESIGN, Lisa Haldeman
A Scenic Design for Avenue Q, Jessica Thompson
2017
Hamlet: An Illuminating Look at Tragedy, Maxx Finn
Fuddy Meers: Lighting on the Edge of Consciousness, Sheric W. Hull
A Fuddy Thesis: Directing David Lindsay-Abaire's Fuddy Meers, Dustin M. Mosko
Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’s, A Bright New Boise, Chadwick R. Taylor
2016
Dancing at Lughnasa: A Project in Technical Direction, Gregory R. Rishoi
2015
City of Angels: Lighting Two Worlds, Joseph W. Burbach
Designing an Opera: A Wedding, Victoria Halverson
UNITY (1918): THE LIGHTING OF A MODERN DARK COMEDY WITH GOTHIC ELEMENTS, Steven J. Miller
The Skin of Our Teeth: Setting the Scene, Michaela L. Stein
Love's Labor's Lost: A Scenic Design, David B. Tousley III
2014
Gender Confusion, Genocide and the Apocalypse: Directing Moira Buffini's Silence, Dennis N. Henry
SILENCE: A Technical Direction Project, Matthew Rightmire
Mrs. Mannerly: An Illuminating Look at Lighting Melodrama, Clayton Van Winkle
THE MYSTICAL AND METAPHYSICAL IN THE MUNDANE: DIRECTING MIDDLETOWN, Joshua S. Waterstone
2013
Technical Direction of Paragon Springs, Christine Ann Donaghy
COSTUME DESIGN FOR AGRAVIO, Julie Douglass
Agravio: A Technical Direction Project, Erica G. King
MARY ZIMMERMAN’S CANDIDE : A JOURNEY OF REALIZATION, COSTUME DESIGN AND PRODUCTION FOR THE 2013 REGIONAL NON- PROFESSIONAL PREMIERE AT THE UNIVERSITY OF NEBRASKA-LINCOLN, Mallory Maria Prucha
Costume Design for Paragon Springs, Bethany D. Skinner
2012
Lady Windermere's Fan: The Black and White of It, Jacob L. Heger
Three Musketeers and a Rock Band, Brandi K. Kawamoto
2011
ARTMAKING ON THE EDGE OF A CLIFF: DIRECTING IPHIGENIA 2.0, Shannon E. Cameron
Ontological Movement in Theater: An Account of the Preparation and Direction of the Play Dylan by Sidney Michaels, Aaron Sawyer
The Misanthrope: Accepting the Notions of Moliere into a Modern Society, Cristina A. Skinner
2010
I am Regan: The Preparation, Performance and Afterthoughts on the Character of Regan in King Lear, Tiffiney C. Baker
Insight into Madness: The Rise and Fall of the Duke of Cornwall, Kyle Broussard
Becoming the Bastard: An Exploration of the Creative Process for Preparing the Role of Edmund in King Lear, Daniel Gilbert
The Heroic Struggle of Pleasing a Mad King: An Actor’s Exploration of the Earl of Kent in William Shakespeare’s King Lear, Robie A. Hayek
Two Kings: An Account of the Preparation and Performance of the Role of Edgar in William Shakespeare's King Lear, Ryan Kathman
Goneril: Jealousy and Thirst for Power Caused by the Loss of a Father's Love, Beth L. King
The Scene Design for Macbeth, Michael Leonard
Quiet Virtue or Roaring Indignation: One Actor's Quest, and Ultimate Failure, to Reveal Complexity in Shakespeare's Cordelia, Mary Lucy Lockamy
Costume Design for You Never Can Tell, Emily S. Parker
Costume Design for Tartuffe by Molière, Shannon Paulick
A Pattern of Patience: On Providing Technical Direction for King Lear, Theron L. Seckington
Costume Design and Execution of King Lear by William Shakespeare, Cecelia Rae Sickler
Processing King Lear, Patric Michael Vendetti
1949
How to Write Comedy for Radio, Johnny Carson