2012: 13th Biennial; Textiles and Politics
2010: 12th Biennial; Textiles and Settlement: From Plains Space to Cyberspace
2008: 11th Biennial; Textiles as Cultural Expressions
2006: 10th Biennial; Textile Narratives and Conversations
2004: 9th Biennial; Appropriation, Acculturation, Transformation

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2012

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On the Edge: The Artwork of Linda Wallace and Dorothy Clews, Linda Wallace and Dorothy Clews

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Interior Iron Curtains: United States Textile Design of the Cold War Era, Morgan Walsh

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A New Interpretation of Certain Bobbin Lace Patterns in Le Pompe, 1559, Laurie Waters

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Making (in) Brooklyn: The Production of Textiles, Meaning, and Social Change, Tali Weinberg

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Made in America: Yarns from the Heartland Brown Sheep Company, Wendy Weiss

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Textiles and Politics – Dishtowels and Diatribes, Carol D. Westfall

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The Political Stitch: Voicing Resistance in a Suffrage Textile, Eileen Wheeler

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Clothes Make the Page: Uniforms in the U.S. Capitol, Felicia Wivchar

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Art and Politics: Contemporary Arpilleras, Flora Zárate

2010

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12th Biennial Symposium Program, Part 1, Textiles and Settlement: From Plains Space to Cyber Space

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12th Biennial Symposium Program, Part 2: Concurrent Local Exhibitions at Participating Museums and Galleries

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HEAD COVERINGS IN THE VIRTUAL UMMA: THE CASE OF NIQAB, Heather Marie Akou

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TEXTILES AND TRADITION IN THE MARKETPLACE, Philis Alvic

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BENI ITAJIME: CARVED BOARD CLAMP RESIST DYEING IN RED, Masanao Arai and Yoshiko Iwamoto Wada

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PROMOTING THE TACTILE IN A VIRTUAL WORLD: AN OVERVIEW OF FIBERSCENE.COM, Susan Taber Avila and Myra Block Kaiser

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TEXTILES OF QARAQALPAQSTAN AND THEIR RELATIONSHIP TO CENTRAL ASIAN TRADITIONS AND THE LEGACY OF IGOR SAVITSKY, Marinika Babanazarova

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CHOREOGRAPHED CARTOGRAPHY: TRANSLATION, FEMINIZED LABOR, AND DIGITAL LITERACY IN HALF/ANGEL’S THE KNITTING MAP, Deborah Barkun and Jools Gilson

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Oriental Carpets, Spatial Dimension, and the Development of Linear Perspective: From Grid to Projective Grid, Carol Bier

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Progressional Journeys: Compelling New Directions for Three “New Basketry” Artists, J. Penny Burton

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Natural Dyes, Our Global Heritage of Colors, Dominique Cardon

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Kyrgyz Felt of the 20th and 21st Centuries, Dinara Chochunbaeva

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Conversation With Nature, Kyoung Ae Cho

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The History and Analysis of Pre-Aniline Native American Quillwork Dyes, Christina Cole and Susan Heald

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Binary Fiction: Digital Weaving 2010, Concurrent Exhibitions and Eisentrager-Howard Gallery

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Needlepoint by Stephen Beal, Concurrent Exhibitions and Gallery 9

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Color and Pattern: Tribal and Contemporary Ikats of India and Laos, Concurrent Exhibitions and Lentz Center for Asian Culture

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Anna Von Mertens: AZMT & Aura, Concurrent Exhibitions and The Project Room

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New Material World: Rethreading Technology, Concurrent Exhibitions and The Sheldon Museum of Art

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Surrounded: Large and Small Work by Lillian Elliott Awardees, Concurrent Exhibitions and Tugboat Gallery

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Fueled by Silk: Victorian Crazy Quilt Mania, Patricia Cox Crews

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Woven Color in China/ The Five Colors in Chinese Culture and Polychrome Woven Textiles, Zhao Feng

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View From The Shoulders Of Thar Masters: New Space For Ply-Split Braiding, David W. Fraser

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The Fiber of Our Lives: A Conceptual Framework for Looking at Textiles’ Meanings, Beverly Gordon

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Trousseaux: From Weaving Handwoven Textiles to Collecting Mass Commodities, Kimberly Hart

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The Landscape Tapestries of Louise Nevelson, 1972-1997, Ann Hedlund

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Future Reliquaries, Barbara Heller

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JACQUARD: A LOOM OF OPPORTUNITY WORKSHOP, Julie Holyoke

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Spin Artists, and How the Internet Fuels the Art Yarn Movement, Tracy P. Hudson

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Morphological Differences Between Ramie and Hemp: How These Characteristics Developed Different Procedures in Bast Fiber Producing Industry, Min Sun Hwang

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Mapping Textile Space: Stitched and Woven Terrains, Elizabeth Ingraham

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Geometric Abstraction in pre-Columbian Tapestry and its Enduring Influence, Susan Iverson

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Digital Costume Display, Katia Johansen

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Walnut Dye for Wool and Silk and Development of a Color Palette for a Product Line, Anjali Karolia

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Handwork as a Conceptual Strategy, Jane Kidd

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Artisanal Textile Manufacturing, Bethanne Knudson

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The Way of Sami Duodji: From Nomadic Necessity to Trademarked Lifestyle, Desiree Koslin

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Low Tech Transmission: European Tapestry to High Tech America, Christine Laffer

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FIGURED VELVETS FROM SIMPLE LOOMS: VELVET PICK-UP AND RELATED TECHNIQUES FOR HANDWEAVERS, Wendy Landry

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Kitab al-Hadaya wa al-Tuhaf: A Unique Window on Islamic Textiles, Wendy Landry

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Order and Complexity in My Woven Work, Janice Lessman-Moss

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Invisible No More: The Embellished Abaya in Qatar, Christina Lindholm

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Contemporary Interpretation of an Unusual Navajo Weaving Technique, Connie Lippert

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Colcha Embroidery as Cartography: Mapping Landscapes of Memory and Passage, Suzanne P. MacAulay

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Synthetic Fibers, Showy Cars and Sportshirts: Liberating the Fashion Spirit of “the man in the gray flannel suit”, Diane Maglio

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New Insights from the Archives: Historicizing the Political Economy of Navajo Weaving and Wool Growing, Kathy M'Closkey

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Tradition Embraces “The New”: Depictions of Modernity on Japanese Kurume E-gasuri Futon-ji, Ann Marie Moeller

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Shipibo Textile Practices 1952-2010, Claire Odland and Nancy Feldman

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OF GODS AND GANGS: INDIGO AS A NEW EDUCATIONAL MODEL, Jenny Balfour Paul

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Cutting Through the Surface: The Use of Laser Cutting Technology with Traditional Textile Process, Jessica Payne

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Tracing Cochineal Through the Collection of the Metropolitan Museum, Elena Phipps and Nobuko Shibayama

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Velvetweaving Today: A Worldwide Overview, Barbara Setsu Pickett

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THE SACRED YELLOW, Bina Rao

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What’s Old is New Again: Carved Board Clamped Resist Dyeing, Jay Rich, Ana Lisa Hedstrom, Yoshiko Iwamoto Wada, and Elin Noble

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Development of a Personal and Non-Pictorial Style in Contemporary Tapestry, Michael F. Rohde

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Metalling with Fibers: A Design Series Exploring the Reuse of Metal Findings Through the Use of Technology, Eulanda A. Sanders

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Red Gold - Raising Cochineal in Oaxaca, Eric Chávez Santiago and Hector Manuel Meneses Lozano

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Woven Images: All Techniques Considered, Tommye McClure Scanlin

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Urban Textiles: From Yarn Bombing to Crochet Ivy Chains, Ruth Scheuing

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Sustaining the Magnificent Craft of Songket Weaving in Malaysia, June Ngo Siok Kheng

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From Traditional to Digital Tools, Grethe Sorensen

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Traversing Locality/Navigating Borders, Kelly Thompson

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Cloth Settlers: Fine Art Dolls Populating the Textile Art Landscape, Shelley Thornton

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Hooked: Between Personal and Public Space, Patricia Tinajero

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Chinese Blue and White Itajime (Jiaxie): Folk Tradition of Carved Board Clamp Resist Dyeing in Zenjiang Province, Tomoko Torimaru and Ana Lisa Hedstrom

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Locating Textile Arts Pedagogy: Do we ever settle?, Mary Lou Trinkwon

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Performing the Quilt: The Block to the Blog and Back Again, Sarah E. Tucker

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Zaher va Baten: Outer Form and Inner Meaning in Iranian Textile Designs, James Turner

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Woven Blooms of Nationalism: Russian Handwoven Tapestry-Technique Shawls 1825-1855, Tanya Wetenhall

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Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity, Eileen Wheeler

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The Grid, Weaving, Body and Mind, Syniva Whitney

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Capturing the Landscape : Textiles for the Australian Fashion Industry, Liz Williamson

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A A Rice Sacks Secrets: Once Hidden from Ourselves and Others, Flo Oy Wong

2008

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11th Biennial Symposium Program, Part 1, Textiles as Cutlural Expressions

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About TSA

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Abstracts

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Author Biographies

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Copyright and Disclaimer

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Table of Contents

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The use of trapezoidal tunics with curved warp borders as a means to define the Pica Tarapacá cultural group of Northern Chile (900-1200 AD), Carolina Agüero

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The use of trapezoidal tunics with curved warp borders as a means to define the Pica Tarapacá cultural group of Northern Chile (900-1200 AD), Carolina Agüero

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Soft or Modern? Delineating Curtains in Domestic Interiors of Modern Architecture, Açalya Allmer

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Soft or Modern? Delineating Curtains in Domestic Interiors of Modern Architecture, Açalya Allmer

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Omoshirogara Textile Design and Children’s Clothing in Japan 1910-1930, Jacqueline M. Atkins

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Omoshirogara Textile Design and Children’s Clothing in Japan 1910-1930, Jacqueline M. Atkins

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Mending as Metaphor: Contemporary Fiber and Cultural Change, Mary Babcock

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Mending as Metaphor: Contemporary Fiber and Cultural Change, Mary Babcock

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A Stitch in Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett

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A Stitch in Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett

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Catching the Light, Catching the Waves: The Suzani Collection of Doris Duke at Shangri La in Honolulu, Hawai‛i, Carol Bier

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Catching the Light, Catching the Waves: The Suzani Collection of Doris Duke at Shangri La in Honolulu, Hawai‛i, Carol Bier