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2014
Traditional Textile Design for Social Innovation Toward Sustainability in Japan, Yuko Fukatsu
Wikispaces: Technology, Textiles, and Public Engagement, Blaire O. Gagnon
Integrating the Evidence: Historic Silk Production in Context, Julia Galliker
A Fragmented Treasure on Display: The Turfan Textile Collection and the Humboldt Forum, Mariachiara Gasparini
The Fabric for a City: Development of Textile Materials During thUrbanization Period in Mediterranean Europe, Margarita Gleba
Threads of Feeling: Embroidering Craftivism to Protest the Disappearances and Deaths in the “War on Drugs” in Mexico, Maureen Daly Goggin
Innovation and Preservation of Manichaean Textiles In Southern Costal China in the 17th – 20th Centuries, Gloria Granz Gonick
Textile Materials and Techniques in Central Europe in the 2nd and 1st Millennia BC, Karina Grömer
New Directions in Australian Aboriginal Fabric Printing, Louise Hamby and Valerie Kirk
Coast Salish Spinning: Looking for Twist, Finding Change, Liz Hammond-Kaarremaa
Flax fibre: Innovation and Change in the Early Neolithic A Technological and Material Perspective, Susanna Harris
Traditions, Tourists, Trends, Tracy P. Hudson
Who Were Joanne Segal Brandford and Lillian Elliott? The Brandford/Elliott Award, Catherine K. Hunter
More than a Footnote or Bibliographic Entry: Mary Lois Kissell as an Innovator of Textile Study, Ira Jacknis and Erin L. Hasinoff
Challenging Tradition in Religious Textiles: The Mata Ni Pachedi of India, Donald Clay Johnson
An American Textile Company to the Trade: The Corporate History and Textile Collection Highlights of Kravet Inc., Deborah E. Kraak
Redefining Borders and Identity: Ethnic Dress of the Lolo/Yi Across the Vietnam-China Border, Serena Lee
Textile Art: Connecting the Virtual and Material In My Work, Janice Lessman-Moss
Painted Clouds: Uzbek Ikats as a Case Study for Ethnic Textiles Surviving and Thriving Culturally and Economically in the 21st Century, Shannon Ludington
Chronology, Mythology, Invention: John Bevan Ford’s Maori Cloak Images, Suzanne P. MacAulay
Navajo (Diné) Weavers and Globalization: Critiquing the Silences, Kathy A. M'Closkey
Traditional Innovation in Oaxacan Indigenous Costumes, Hector Manuel Meneses Lozano
CONVERSATION AND ENCOUNTER, Belinda Von Mengrsen
Interior Textiles and the Concept of Atmospheres – A Case Study on the Architectural Potential of Textiles in Danish Hospitals Interiors, Jeppe Emil Mogensen, Anna Marie Fisker, and Søren Bolvig Poulsen
Changing of Kudzu Textiles in the Japanese Culture, Tatsuhiko Murai and Ryoko Murai
The Aegean Wool Economies of the Bronze Age, Marie-Louise Nosch
Dressing the Leader, Dressing the Ancestor: The longue durée in the South Central Andes, Ann H. Peters
New Textiles in a New World: 18th Century Textile Samples from the Viceregal Americas., Elena Phipps
Rethinking Material Culture: Ugandan Bark Cloth, Lesli Robertson
Polychrome Nets Italian Lace from the Collection of The Metropolitan Museum of Art, Chiara Romano
George Washington Carver: Textile Artist, Eulanda A. Sanders and Chanmi Hwang
Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands, Toshiyuki Sano and Yuka Matsumoto
Embroidery as Inscription in the Life of a Calabrian Immigrant Woman, Joan L. Saverino
Textiles and the Virtual World Broadening Audience Engagement at the Textile Museum of Canada, Roxane Shaughnessy
Bringing Fiber to Art and Art to Fiber, Jo Stealey
Beyond Wool: New York’s Diverse Fibershed for Textiles and Clothing, Helen Trejo, Tasha Lewis, and Michael Thonney
Needle Lace to Valley Walking: İğne Oyası as Landscape Ornamentation, Olivia Valentine
Touch and Technology: An Individual Perspective, Vibeke Vestby
Finding Binding Points: Design Development and the Digital World, Wendy Weiss
The Secrets of Alorese ‘Silk’ yarn: Kolon susu, triangle trade and underwater women in Eastern Indonesia1, Emilie Wellfelt
Virtually Crafting Communities: An Exploration of Fiber and Textile Crafting Online Communities, Theresa M. Winge and Marybeth C. Stalp
Chitenje: The Production and Use of Printed Cotton Cloth in Malawi, Sarah Worden
Deliberate Entanglements: The Impact of a Visionary Exhibition, Emily Zaiden
The Refining of a Domestic Art: Surayia Rahman, Niaz Zaman and Cathy Stevulak
2012
Textile Society of America- Abstracts and Biographies
The Changing Politics of Textiles as Portrayed on Somali Postage Stamps, Heather Marie Akou
Embroidered Politics: A Case Study between al-Andalus and Castilla, Miriam Ali-de-Unzaga
Samplers, Sewing and Star Quilts: Changing Federal Policies Impact Native American Education and Assimilation, Lynne Anderson
Object Based Research: A Q’ing Vest, Hilary Baker
Iberian Carpets, Wool, and the Making of Modern Spain, Carol Bier
The Soviet “Invasion” of Central Asian Applied Arts: How Artisans Incorporated Communist Political Messages and Symbols, Irina Bogoslovskaya
Thomas Jefferson’s Blue Coat: Style, Substance and Circumstance, Joshua Bond
Knitting a New World, Carrie Brezine
Invisible Tapestry — An Assyriologist’s Perspective, Stanley Bulbach
Building on the Past, Making the Future, Stephanie Bunn
The Chilean Arpilleristas: Changing National Politics Through Tapestry Work, Dayna L. Caldwell
Sisters and Others: The Power and Politics of Weaving Supplementary Weft Textiles in a Sa'dan Toraja Village, Maria Christou
Uncut: The Materiality of Textiles and the Politics of Sustainment in Fashionable Clothing, Hazel Clark
From Silk Road to Cotton Field: Weaving Uzbek Identity, Mary Elizabeth Corrigan
Neeg Tawg Rog (War-torn People): Linguistic Consciousness in the Hmong diaspora, Geraldine Craig
Textiles of War: Women’s Commentaries on Conflict in Iraq and Afghanistan, Deborah A. Deacon
The Abduction of Helen: A Western Theme in a Chinese Embroidery of the First Half of the Seventeenth Century, Joyce Denney
Can We Study Textiles From Other Cultures Without Ethnocentrism? The Andes As A Case Study, Sophie Desrosiers
Luxurious Merovingian Textiles Excavated from Burials in the Saint Denis Basilica, France in the 6th-7th Century, Sophie Desrosiers and Antoinette Rast-Eicher
The Politics of Purple: Dyes from Shellfish and Lichens, Karen Diadick Casselman and Takako Terada
Harriet Joor’s Needlework and Stenciled Textile Designs: Pursuing the Arts and Crafts Ideal, One Stitch at a Time, Maggie Dimock
The Lausanne International Tapestry Biennials (1962-1995) The Pivotal Role of a Swiss City in the “New Tapestry” Movement in Eastern Europe After World War II, Giselle Eberhard Cotton
Congressional Campaign Ribbons, Farar Elliott
Provenance: The Story of a Textile and its Journey to the Slave Quarters, Susan Falls and Jessica Smith
Hostage to Cloth: European Explorers in East Africa, 1850-1890, Sarah Fee
Ancient Designs for the Modern Era: Artists Interpret Andean Textiles, Blenda Femenías
Thangchhuah Puan: The Highest Status Mantle among the Mizo People of Northeastern India, Barbara G. Fraser and David W. Fraser
Asymmetry: Aesthetics and Politics of Ply-split Braiding, David W. Fraser
Kala Raksha: From Cultural Identity to Intellectual Property, Judy Frater
“Without Being Obliged to Send 3000 Miles for the Cloth”: The American Wool Industry, 1789-1815, Deb Fuller and Ann Buermann Wass
The Tropical Myth and Brazilian Textile Design, Luz García Neira
The Wild Civilized: An Environmental Art Studio Installed Outdoors in an Institutional Space, Neil Goss
Sogdian Textile Design: Political Symbols of an Epoch, Elmira Gyul
Locally Grown & Sustainable Textiles: Exploring Current Possibilities, Faith Hagenhofer
Stitching Race, Karen Hampton
Cross-cultural Commemoration: Historical Chinese Patchwork Inspires a New Tradition in America, Marin F. Hanson
Embroidered Relations in Kutch: Women, Stitching and the Third Space, Michele A. Hardy
Marie Watt's Forget-me-not: Stitched in Wool, a More Human War Memorial, Rebecca Head Trautmann
Elayne Zorn Bibliography: As Part of Weaving a Future: A Panel In Honor of Elayne Zorn, Andrea Heckman and Blenda Femenias
Weaving a Future: A Panel in Honor of Elayne Zorn, Andrea M. Heckman and Blenda Femenías
Patronage, Photography and Politics: the Influence of Archduchess Isabella on Design Transformation of an Aesthetic, Sandra Heffernan
Knitting as Dissent: Female Resistance in America Since the Revolutionary War, Tove Hermanson
Ottoman Fabrics During the 18th and 19th Centuries, Selin Ipek
Re-creating Military Sashes: Reviving the Sprang Technique, Carol James
A Patchwork History of Textile Use in Southeastern Turkey: Examination of a Rare Set of Kurdish Work Clothing, Charlotte Jirousek
Queen Alexandra’s 1902 Coronation Gown, Donald Clay Johnson
The Use of Imported Persian and Indian Textiles in Early Modern Japan, Yumiko Kamada
Analyses of Dye, Weaving and Metal Thread in Ottoman Silk Brocades and their Reproduction, Recep Karadag, Emine Torgan, and Yusuf Yildiz
Knit and Crochet Heritage Museum: A Work in Progress, Karen D. Kendrick-Hands
A Silent Textile Trade War: Batik Revival as Economic and Political Weapon in 17th Century Java, Ruurdje Laarhoven
The Many Shades of Cochineal Red Workshop Review and Recap, Tal Landeau
ARTivention: Utilizing Fiber Art For Activist Engagement, Maggie Leininger