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2016
Slipstitch: a survey of contemporary narrative-based stitch and embroidery practices in Australia, Belinda Von Mengersen
Arimatsu to Africa: Shibori Textiles Developed for African Trade in 1948–49, Yoshiko Iwamoto Wada
Kalamkari or Chintz: An Anglo-Indian Hanging in The Metropolitan Museum of Art, Melinda Watt
Trading Traditions: Continuity, Innovation and Resource Use of Forest Fibers Among the Ye’kwana and Ayoréode, Laurie Wilkins and Ines Hinojosa
Tracing textiles, motifs and patterns: historical to contemporary, Liz Williamson
From Function to Fashion to a Contemporary Art Process, Journey’s Within a Fisherman’s Rib Jumper, Christine Wiltshier
Tradition and Transition: The changing fortunes of barkcloth in Uganda, Sarah Worden
Some of the Weavings Used in Turkish Bath in the Context of Intangible Cultural Heritage, Ayşem Yanar, Feryal Söylemezoğlu, Zeynep Erdoğan, and Özlen Özgen
Non-specific: ubiquity, invisible labor and the moving blanket, Callen Zimmerman
2014
2014 Biennial Symposium: New Directions: Examining the Past, Creating the Future (website home-page)
Abstracts and Presenter Biographies from 14th Biennial
Biennial Symposium Proceedings: Abstracts & Biographies
Rethinking the Tiwanaku Phenomenon in San Pedro de Atacama Through the Study of Textiles of Solcor 3 and Their Associated Contexts (400-1000 AD), Carolina Aguero and Mauricio Uribe
Pulling Strings: Textiles, Community and DIY in Post-Industrial Hamilton, Jen Anisef, Thea Haines, and Tara Bursey
Textiles and Museum Displays: Visible and Invisible Dimensions, Ruth Barnes
A New Unit for Study and Research The Textile Museum and the George Washington University in Washington, D.C, Sumru Belger Krody
Adinkra and Kente Cloth in History, Law, and Life, Boatema Boateng
Interwoven Connections: Examining the History of Scottish Carpet Design to Inform future Learning, Teaching and Research, Helena Britt
Substitute Innovation: Rethinking the Failure of Mid-Twentieth Century Regenerated Protein Fibres and their Legacy, Mary M. Brooks
The Obiko Archive, Jean Cacicedo and Ana Lisa Hedstrom
REMATERIALIZING: Interviews with Emerging Artists About Physicality, Pattern and Textile Techniques, Caroline Hayes Charuk
Maguey Hammock: A Weaving of Resistance and Persistence in Puerto Rico, Soraya Serra Collazo
Natural Dyes and Aesthetic Search, María Dávila and Eduardo Portillo
Stitches of War: Women’s Commentaries on Conflict in Latin America, Deborah A. Deacon
Highland Complementary-Warp Weaving and the Lima Style in the Central Coast of Peru, ca. 200-650 C.E., Sophie Desrosiers
Writing Textile, Making Text: Cloth and Stitch as Agency for Disorderly Text, Catherine Dormor
Communicating Textiles Within and Beyond Museum Walls: New Directions, Dinah Eastop
Reflecting on Collecting: My Romance with African Textiles, Joanne B. Eicher and Diana Eicher
Conversations Between a Foreign Designer and Traditional Textile Artisans in India: Design Collaborations from the Artisan’s Perspective, Deborah Emmett
Before there was Pinterest: Textile Study Rooms in North American “Art” Museums, Sarah Fee
Traditional Textile Design for Social Innovation Toward Sustainability in Japan, Yuko Fukatsu
Wikispaces: Technology, Textiles, and Public Engagement, Blaire O. Gagnon
Integrating the Evidence: Historic Silk Production in Context, Julia Galliker
A Fragmented Treasure on Display: The Turfan Textile Collection and the Humboldt Forum, Mariachiara Gasparini
The Fabric for a City: Development of Textile Materials During thUrbanization Period in Mediterranean Europe, Margarita Gleba
Threads of Feeling: Embroidering Craftivism to Protest the Disappearances and Deaths in the “War on Drugs” in Mexico, Maureen Daly Goggin
Innovation and Preservation of Manichaean Textiles In Southern Costal China in the 17th – 20th Centuries, Gloria Granz Gonick
Textile Materials and Techniques in Central Europe in the 2nd and 1st Millennia BC, Karina Grömer
New Directions in Australian Aboriginal Fabric Printing, Louise Hamby and Valerie Kirk
Coast Salish Spinning: Looking for Twist, Finding Change, Liz Hammond-Kaarremaa
Flax fibre: Innovation and Change in the Early Neolithic A Technological and Material Perspective, Susanna Harris
Traditions, Tourists, Trends, Tracy P. Hudson
Who Were Joanne Segal Brandford and Lillian Elliott? The Brandford/Elliott Award, Catherine K. Hunter
More than a Footnote or Bibliographic Entry: Mary Lois Kissell as an Innovator of Textile Study, Ira Jacknis and Erin L. Hasinoff
Challenging Tradition in Religious Textiles: The Mata Ni Pachedi of India, Donald Clay Johnson
An American Textile Company to the Trade: The Corporate History and Textile Collection Highlights of Kravet Inc., Deborah E. Kraak
Redefining Borders and Identity: Ethnic Dress of the Lolo/Yi Across the Vietnam-China Border, Serena Lee
Textile Art: Connecting the Virtual and Material In My Work, Janice Lessman-Moss
Painted Clouds: Uzbek Ikats as a Case Study for Ethnic Textiles Surviving and Thriving Culturally and Economically in the 21st Century, Shannon Ludington
Chronology, Mythology, Invention: John Bevan Ford’s Maori Cloak Images, Suzanne P. MacAulay
Navajo (Diné) Weavers and Globalization: Critiquing the Silences, Kathy A. M'Closkey
Traditional Innovation in Oaxacan Indigenous Costumes, Hector Manuel Meneses Lozano
CONVERSATION AND ENCOUNTER, Belinda Von Mengrsen
Interior Textiles and the Concept of Atmospheres – A Case Study on the Architectural Potential of Textiles in Danish Hospitals Interiors, Jeppe Emil Mogensen, Anna Marie Fisker, and Søren Bolvig Poulsen
Changing of Kudzu Textiles in the Japanese Culture, Tatsuhiko Murai and Ryoko Murai
The Aegean Wool Economies of the Bronze Age, Marie-Louise Nosch
Dressing the Leader, Dressing the Ancestor: The longue durée in the South Central Andes, Ann H. Peters
New Textiles in a New World: 18th Century Textile Samples from the Viceregal Americas., Elena Phipps
Rethinking Material Culture: Ugandan Bark Cloth, Lesli Robertson
Polychrome Nets Italian Lace from the Collection of The Metropolitan Museum of Art, Chiara Romano
George Washington Carver: Textile Artist, Eulanda A. Sanders and Chanmi Hwang
Changes in the Way of Traditional Cloth Makings and the Weavers’ Contribution in the Ryukyu Islands, Toshiyuki Sano and Yuka Matsumoto
Embroidery as Inscription in the Life of a Calabrian Immigrant Woman, Joan L. Saverino
Textiles and the Virtual World Broadening Audience Engagement at the Textile Museum of Canada, Roxane Shaughnessy
Bringing Fiber to Art and Art to Fiber, Jo Stealey
Beyond Wool: New York’s Diverse Fibershed for Textiles and Clothing, Helen Trejo, Tasha Lewis, and Michael Thonney
Needle Lace to Valley Walking: İğne Oyası as Landscape Ornamentation, Olivia Valentine
Touch and Technology: An Individual Perspective, Vibeke Vestby
Finding Binding Points: Design Development and the Digital World, Wendy Weiss
The Secrets of Alorese ‘Silk’ yarn: Kolon susu, triangle trade and underwater women in Eastern Indonesia1, Emilie Wellfelt
Virtually Crafting Communities: An Exploration of Fiber and Textile Crafting Online Communities, Theresa M. Winge and Marybeth C. Stalp
Chitenje: The Production and Use of Printed Cotton Cloth in Malawi, Sarah Worden
Deliberate Entanglements: The Impact of a Visionary Exhibition, Emily Zaiden
The Refining of a Domestic Art: Surayia Rahman, Niaz Zaman and Cathy Stevulak
2012
Textile Society of America- Abstracts and Biographies
The Changing Politics of Textiles as Portrayed on Somali Postage Stamps, Heather Marie Akou
Embroidered Politics: A Case Study between al-Andalus and Castilla, Miriam Ali-de-Unzaga
Samplers, Sewing and Star Quilts: Changing Federal Policies Impact Native American Education and Assimilation, Lynne Anderson
Object Based Research: A Q’ing Vest, Hilary Baker
Iberian Carpets, Wool, and the Making of Modern Spain, Carol Bier
The Soviet “Invasion” of Central Asian Applied Arts: How Artisans Incorporated Communist Political Messages and Symbols, Irina Bogoslovskaya
Thomas Jefferson’s Blue Coat: Style, Substance and Circumstance, Joshua Bond
Knitting a New World, Carrie Brezine
Invisible Tapestry — An Assyriologist’s Perspective, Stanley Bulbach
Building on the Past, Making the Future, Stephanie Bunn
The Chilean Arpilleristas: Changing National Politics Through Tapestry Work, Dayna L. Caldwell
Sisters and Others: The Power and Politics of Weaving Supplementary Weft Textiles in a Sa'dan Toraja Village, Maria Christou
Uncut: The Materiality of Textiles and the Politics of Sustainment in Fashionable Clothing, Hazel Clark
From Silk Road to Cotton Field: Weaving Uzbek Identity, Mary Elizabeth Corrigan
Neeg Tawg Rog (War-torn People): Linguistic Consciousness in the Hmong diaspora, Geraldine Craig
Textiles of War: Women’s Commentaries on Conflict in Iraq and Afghanistan, Deborah A. Deacon
The Abduction of Helen: A Western Theme in a Chinese Embroidery of the First Half of the Seventeenth Century, Joyce Denney
Can We Study Textiles From Other Cultures Without Ethnocentrism? The Andes As A Case Study, Sophie Desrosiers
Luxurious Merovingian Textiles Excavated from Burials in the Saint Denis Basilica, France in the 6th-7th Century, Sophie Desrosiers and Antoinette Rast-Eicher
The Politics of Purple: Dyes from Shellfish and Lichens, Karen Diadick Casselman and Takako Terada
Harriet Joor’s Needlework and Stenciled Textile Designs: Pursuing the Arts and Crafts Ideal, One Stitch at a Time, Maggie Dimock
The Lausanne International Tapestry Biennials (1962-1995) The Pivotal Role of a Swiss City in the “New Tapestry” Movement in Eastern Europe After World War II, Giselle Eberhard Cotton
Congressional Campaign Ribbons, Farar Elliott