Textile Society of America
Textile Society of America Symposium Proceedings
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Red Gold - Raising Cochineal in Oaxaca, Eric Chávez Santiago and Hector Manuel Meneses Lozano
Woven Images: All Techniques Considered, Tommye McClure Scanlin
Urban Textiles: From Yarn Bombing to Crochet Ivy Chains, Ruth Scheuing
Sustaining the Magnificent Craft of Songket Weaving in Malaysia, June Ngo Siok Kheng
From Traditional to Digital Tools, Grethe Sorensen
Traversing Locality/Navigating Borders, Kelly Thompson
Cloth Settlers: Fine Art Dolls Populating the Textile Art Landscape, Shelley Thornton
Hooked: Between Personal and Public Space, Patricia Tinajero
Chinese Blue and White Itajime (Jiaxie): Folk Tradition of Carved Board Clamp Resist Dyeing in Zenjiang Province, Tomoko Torimaru and Ana Lisa Hedstrom
Locating Textile Arts Pedagogy: Do we ever settle?, Mary Lou Trinkwon
Performing the Quilt: The Block to the Blog and Back Again, Sarah E. Tucker
Zaher va Baten: Outer Form and Inner Meaning in Iranian Textile Designs, James Turner
Woven Blooms of Nationalism: Russian Handwoven Tapestry-Technique Shawls 1825-1855, Tanya Wetenhall
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity, Eileen Wheeler
The Grid, Weaving, Body and Mind, Syniva Whitney
Capturing the Landscape : Textiles for the Australian Fashion Industry, Liz Williamson
A A Rice Sacks Secrets: Once Hidden from Ourselves and Others, Flo Oy Wong
2008
11th Biennial Symposium Program, Part 1, Textiles as Cutlural Expressions
The use of trapezoidal tunics with curved warp borders as a means to define the Pica Tarapacá cultural group of Northern Chile (900-1200 AD), Carolina Agüero
The use of trapezoidal tunics with curved warp borders as a means to define the Pica Tarapacá cultural group of Northern Chile (900-1200 AD), Carolina Agüero
Soft or Modern? Delineating Curtains in Domestic Interiors of Modern Architecture, Açalya Allmer
Soft or Modern? Delineating Curtains in Domestic Interiors of Modern Architecture, Açalya Allmer
Omoshirogara Textile Design and Children’s Clothing in Japan 1910-1930, Jacqueline M. Atkins
Omoshirogara Textile Design and Children’s Clothing in Japan 1910-1930, Jacqueline M. Atkins
Mending as Metaphor: Contemporary Fiber and Cultural Change, Mary Babcock
Mending as Metaphor: Contemporary Fiber and Cultural Change, Mary Babcock
A Stitch in Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett
A Stitch in Time: New Embroidery, Old Fabric, Changing Values, Annin Barrett
Norwegian Natural dyeing: Art, Craft, Gender and Innovation - Natural dyes as a Tradition in Norway, Mette Biering
Norwegian Natural dyeing: Art, Craft, Gender and Innovation - Natural dyes as a Tradition in Norway, Mette Biering
Introduction, Reiko Brandon and Tom Klobe
Social Cohesion and Cultural Expressions: The Case of the Sacred Textiles in the Armenian Orthodox Churches of Istanbul, Marlene R. Breu and Ronald T. Marchese
Social Cohesion and Cultural Expressions: The Case of the Sacred Textiles in the Armenian Orthodox Churches of Istanbul, Marlene R. Breu and Ronald T. Marchese
Claudy Jongstra: Transmitting Craft Heritage through Contemporary Architecture, Susan Brown
Claudy Jongstra: Transmitting Craft Heritage through Contemporary Architecture, Susan Brown
A Poem is a Robe and a Castle: Inscribing Verses on Textiles and Architecture in the Alhambra, Olga Bush
A Poem is a Robe and a Castle: Inscribing Verses on Textiles and Architecture in the Alhambra, Olga Bush
The Colour of Women’s Culture: Natural Dyeing as Self-Expression in America, Japan, Norway and Australia, Karen Diadick Casselman
The Colour of Women’s Culture: Natural Dyeing as Self-Expression in America, Japan, Norway and Australia, Karen Diadick Casselman
Chinchorro Twined Shrouds, Vicki Cassman, Nancy Odegaard, and Bernardo Arriaza
Chinchorro Twined Shrouds, Vicki Cassman, Nancy Odegaard, and Bernardo Arriaza
Embroidering the Golden Chersonese: Metallic Thread Needlework in the Malay Peninsula, Hwei-Fe’n Cheah
Embroidering the Golden Chersonese: Metallic Thread Needlework in the Malay Peninsula, Hwei-Fe’n Cheah
From Construction to Ritual Function: An Exploration of New Guinea Fiber Masterworks, Jill D’Alessandro and Christina Hellmich
From Construction to Ritual Function: An Exploration of New Guinea Fiber Masterworks, Jill D’Alessandro and Christina Hellmich
“Revisiting the Ocucaje Opened Tunic from the Textile Museum; Washington, D.C.: Textile Models and the Process of Imitation”, Sophie Desrosiers
“Revisiting the Ocucaje Opened Tunic from the Textile Museum; Washington, D.C.: Textile Models and the Process of Imitation”, Sophie Desrosiers
Atlas Today: Patterns of Production, Bazaars and Bloomingdales Uzbekistan and Xinjiang, China, Mary M. Dusenbury
Atlas Today: Patterns of Production, Bazaars and Bloomingdales Uzbekistan and Xinjiang, China, Mary M. Dusenbury
Industrial Production and the Hand Process: Making a Bridge, Catharine Ellis
Industrial Production and the Hand Process: Making a Bridge, Catharine Ellis
Silent Needles, Speaking Flowers: The Language of Flowers as a Tool for Communication in Women’s Embroidery in Victorian Britain, Christen Elaine Ericsson and Mary Brooks
The Serpentine Essence of a Chancay Gauze Headdress, Jessica Gerschultz
The Serpentine Essence of a Chancay Gauze Headdress, Jessica Gerschultz
Meanings and Messages: Quilts to Comfort the Families, Jonathan Gregory
Meanings and Messages: Quilts to Comfort the Families of America’s Fallen in the Afghanistan and Iraq Wars, Jonathan Gregory
Dress of the Lolo, Pathen, Hmong and Yao of Northern Vietnam in 2005-2006: Reflections of Cultural Continuity and Change, Serena Lee Harrigan
Dress of the Lolo, Pathen, Hmong and Yao of Northern Vietnam in 2005-2006: Reflections of Cultural Continuity and Change, Serena Lee Harrigan
Culture Brokers: Weavers, Photographers, Scientists, and Textile Experts, Kimberly Hart
Culture Brokers: Weavers, Photographers, Scientists, and Textile Experts, Kimberly L. Hart
Acknowledgments, Pat Hickman
Supplementary Warp Patterned Textiles of the Cham in Vietnam, Michael C. Howard
Supplementary Warp Patterned Textiles of the Cham in Vietnam, Michael C. Howard
Hand-Spinning for Traditional Garments in Ladakh, Tracy P. Hudson
Hand-Spinning for Traditional Garments in Ladakh, Tracy P. Hudson
A Comparative Study of Andongpoh and Musam Korean Hemp: The Production of Two Distinct Qualities of Hemp Cloth, Min Sun Hwang
A Comparative Study of Andongpoh and Musam Korean Hemp: The Production of Two Distinct Qualities of Hemp Cloth, minsun hwang
Trade Cloth on American Whaleships, 1820-1870 “liberty with a roll of calico”, Susan J. Jerome
Trade Cloth on American Whaleships, 1820-1870 “liberty with a roll of calico”, Susan J. Jerome
Rediscovering Camlet: Traditional mohair cloth weaving in Southeastern Turkey, Charlotte Jirousek
Rediscovering Camlet: Traditional mohair cloth weaving in Southeastern Turkey, Charlotte Jirousek
Perfumed Textiles, Katia Johansen
Perfumed Textiles, Katia Johansen
Iowa or Dye! Natural Dyes as American Craft and Horticulture, Sara J. Kadolph
Iowa or Dye! Natural Dyes as American Craft and Horticulture, Sara J. Kadolph
Textiles, Masculinities and Spontaneous Communities in the Burning Man Project, Susan Kaiser and Denise Nicole Green
Textiles, Masculinities and Spontaneous Communities in the Burning Man Project, Susan Kaiser and Denise Nicole Green
Translation of Medium: Kesi Meets Painting, Jean Kares
Translation of Medium: Kesi Meets Painting, Jean Kares
“Pride and Practicality”, Barbara Kawakami
“Pride and Practicality”, Barbara Kawakami
Crochet Lace as Expression of Digital Culture, Gail Kenning
Crochet Lace as Expression of Digital Culture, Gail Kenning
Black Silk, Brown Silk: China and Beyond—Traditional Practice Meets Fashion, Abby Lillethun
Black Silk, Brown Silk: China and Beyond—Traditional Practice Meets Fashion, Abby Lillethun
Analysis of Two Chinese Canton Silks: Jiāo-chou and Xiang-yun-shā, shu lin
Analysis of Two Chinese Canton Silks: Jiāo-chou and Xiang-yun-shā, ShuHwa Lin
Expressions of Power – Luxury textiles from early medieval northern Europe, Sonja Marzinzik
Expressions of Power – Luxury textiles from early medieval northern Europe, Sonja Marzinzik
Weaving Cloth from Tosa-washi (Japanese Paper from Kochi in Shikoku, Japan): Connection and Expansion of Area and People, Yuka Matsumoto