
Textile Society of America
Textile Society of America Symposium Proceedings
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2012
The Stigma of Fabrication: Craft Education in the 21st Century, Kathleen Morris
Clothing or Decoration: Exploring the Penis Sheath of Papua New Guinea, Catherine Murphy
A Wari Tapestry Textile in a Tiwanaku Tomb from the Osmore Valley, Moquegua, Peru, Amy Oakland
The Shoso-in Textiles of the Era of Emperor Shomu, Atsuhiko Ogata
The Mamluk Kaaba Curtain in the Bursa Grand Mosque, Sumiyo Okumura
Textiles, Political Propaganda, and the Economic Implications in Southwestern Nigeria, Margaret Olugbemisola Areo and Adebowale Biodun Areo
The Political Handkerchief, A Study of Politics and Semiotics in Textiles, Emma Osbourn
Political Intentions of Chinese Textiles in Portuguese Sacred, Solemn, Celebratory Events of the16th - 18th Centuries, Maria João Pacheco Ferreira
Dahomey Appliqués and the Politics of Production, Holly Paquette
Challenging the Politics of Creating Art in the 21st Century: An Artist/Educator's Perspective, Claire Campbell Park
“By your exertions conjointly with ours”: British printed cottons in Brazil, 1827-1841, Sarah B. Parks
Identity, Innovation and Textile Exchange Practices at the Paracas Necropolis, 2000 BP, Ann H. Peters
An Andean Colonial Woman’s Mantle: the New World and its Global Networks., Elena Phipps
Deceptive Textiles: Lister’s Velvet Loom, Resilitex, Decoys for WW II, Britain, Barbara Setsu Pickett and Eugene Nicholson
Fallen Soldiers, Vita Plume
History Under Foot: Politics, Patriotism, and the “Liberty Rug”, Amy Poff
Ancient Emblems, Modern Cuts: Weaving and the State in Southeastern Indonesia, Ian Pollock
From Feed Sack to Clothes Rack: The Use of Commodity Textile Bags in American Households from 1890 – 1960, Margaret Powell
Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) A Political Strategy, Maria Anne Privat Savigny
Towards a Proactive Outreach Political Strings: Tapestry Seen and Unseen, Linda Rees
The Kanga, A Cloth That Reveals- Co-production of Culture in Africa and the Indian Ocean Region, Phyllis A. Ressler
The Influence of Tribal Conflict, the Great Game, and Trade on Qaraqalpaq Costume, David Richardson
Felt Space: Responsive Textiles, Fabric Dwellings and Precarious Housing, Kirsty Robertson
Sleeping Amongst Heroes: Copperplate-printed Bed Furniture in the "Washington and American Independance [sic] 1776; the Apotheosis of Franklin” Pattern, Whitney A. J. Robertson
The Politics of Textiles Used in African American Slave Clothing, Eulanda A. Sanders
Anticipating the Silk Road; Some Thoughts on the Wool-Murex Connection in Tyre, Jane Schneider
Textiles' Treasure from Jericho Cave 38 in the Qarantal Cliff Compared to other Early Medieval Sites in Israel, Orit Shamir and Alisa Baginski
Political Voices of Three Left Coast Artists: Gyongy Laky, Linda Gass, Linda MacDonald, Barbara Shapiro
Knitting the News and other Stories, Adrienne Sloane
The Parenthetical Notation Method for Recording Yarn Structure, Jeffrey C. Splitstoser
Blinded by the Veil, Laura Stemp-Morlock
Knitting as Scholarship, Susan M. Strawn
The Politics of Textile Entrepreneurship Loja Saarinen and Her Weaving Studio in the Cranbrook Art Community, Leena Svinhufvud
The Reluctant Reformer: May Morris’ United States Lecture Tour of 1909-1910, Natasha Thoreson
The Twenty-first Century Voices of the Ashanti Adinkra and Kente Cloths of Ghana, Carol Ventura
On the Edge: The Artwork of Linda Wallace and Dorothy Clews, Linda Wallace and Dorothy Clews
Interior Iron Curtains: United States Textile Design of the Cold War Era, Morgan Walsh
A New Interpretation of Certain Bobbin Lace Patterns in Le Pompe, 1559, Laurie Waters
Making (in) Brooklyn: The Production of Textiles, Meaning, and Social Change, Tali Weinberg
Made in America: Yarns from the Heartland Brown Sheep Company, Wendy Weiss
Textiles and Politics – Dishtowels and Diatribes, Carol D. Westfall
The Political Stitch: Voicing Resistance in a Suffrage Textile, Eileen Wheeler
Clothes Make the Page: Uniforms in the U.S. Capitol, Felicia Wivchar
Art and Politics: Contemporary Arpilleras, Flora Zárate
2010
12th Biennial Symposium Program, Part 1, Textiles and Settlement: From Plains Space to Cyber Space
HEAD COVERINGS IN THE VIRTUAL UMMA: THE CASE OF NIQAB, Heather Marie Akou
TEXTILES AND TRADITION IN THE MARKETPLACE, Philis Alvic
BENI ITAJIME: CARVED BOARD CLAMP RESIST DYEING IN RED, Masanao Arai and Yoshiko Iwamoto Wada
PROMOTING THE TACTILE IN A VIRTUAL WORLD: AN OVERVIEW OF FIBERSCENE.COM, Susan Taber Avila and Myra Block Kaiser
TEXTILES OF QARAQALPAQSTAN AND THEIR RELATIONSHIP TO CENTRAL ASIAN TRADITIONS AND THE LEGACY OF IGOR SAVITSKY, Marinika Babanazarova
CHOREOGRAPHED CARTOGRAPHY: TRANSLATION, FEMINIZED LABOR, AND DIGITAL LITERACY IN HALF/ANGEL’S THE KNITTING MAP, Deborah Barkun and Jools Gilson
Oriental Carpets, Spatial Dimension, and the Development of Linear Perspective: From Grid to Projective Grid, Carol Bier
Progressional Journeys: Compelling New Directions for Three “New Basketry” Artists, J. Penny Burton
Natural Dyes, Our Global Heritage of Colors, Dominique Cardon
Kyrgyz Felt of the 20th and 21st Centuries, Dinara Chochunbaeva
Conversation With Nature, Kyoung Ae Cho
The History and Analysis of Pre-Aniline Native American Quillwork Dyes, Christina Cole and Susan Heald
Binary Fiction: Digital Weaving 2010, Concurrent Exhibitions and Eisentrager-Howard Gallery
Needlepoint by Stephen Beal, Concurrent Exhibitions and Gallery 9
Color and Pattern: Tribal and Contemporary Ikats of India and Laos, Concurrent Exhibitions and Lentz Center for Asian Culture
Anna Von Mertens: AZMT & Aura, Concurrent Exhibitions and The Project Room
New Material World: Rethreading Technology, Concurrent Exhibitions and The Sheldon Museum of Art
Surrounded: Large and Small Work by Lillian Elliott Awardees, Concurrent Exhibitions and Tugboat Gallery
Fueled by Silk: Victorian Crazy Quilt Mania, Patricia Cox Crews
Woven Color in China/ The Five Colors in Chinese Culture and Polychrome Woven Textiles, Zhao Feng
View From The Shoulders Of Thar Masters: New Space For Ply-Split Braiding, David W. Fraser
The Fiber of Our Lives: A Conceptual Framework for Looking at Textiles’ Meanings, Beverly Gordon
Trousseaux: From Weaving Handwoven Textiles to Collecting Mass Commodities, Kimberly Hart
The Landscape Tapestries of Louise Nevelson, 1972-1997, Ann Hedlund
Future Reliquaries, Barbara Heller
JACQUARD: A LOOM OF OPPORTUNITY WORKSHOP, Julie Holyoke
Spin Artists, and How the Internet Fuels the Art Yarn Movement, Tracy P. Hudson
Mapping Textile Space: Stitched and Woven Terrains, Elizabeth Ingraham
Geometric Abstraction in pre-Columbian Tapestry and its Enduring Influence, Susan Iverson
Digital Costume Display, Katia Johansen
Walnut Dye for Wool and Silk and Development of a Color Palette for a Product Line, Anjali Karolia
Handwork as a Conceptual Strategy, Jane Kidd
Artisanal Textile Manufacturing, Bethanne Knudson
The Way of Sami Duodji: From Nomadic Necessity to Trademarked Lifestyle, Desiree Koslin
Low Tech Transmission: European Tapestry to High Tech America, Christine Laffer
Figured Velvets from Simple Looms: Velvet Pick-up and Related Techniques for Handweavers, Wendy Landry
Kitab al-Hadaya wa al-Tuhaf: A Unique Window on Islamic Textiles, Wendy Landry
Order and Complexity in My Woven Work, Janice Lessman-Moss
Invisible No More: The Embellished Abaya in Qatar, Christina Lindholm
Contemporary Interpretation of an Unusual Navajo Weaving Technique, Connie Lippert
Colcha Embroidery as Cartography: Mapping Landscapes of Memory and Passage, Suzanne P. MacAulay
Synthetic Fibers, Showy Cars and Sportshirts: Liberating the Fashion Spirit of “the man in the gray flannel suit”, Diane Maglio
New Insights from the Archives: Historicizing the Political Economy of Navajo Weaving and Wool Growing, Kathy M'Closkey
Tradition Embraces “The New”: Depictions of Modernity on Japanese Kurume E-gasuri Futon-ji, Ann Marie Moeller
Shipibo Textile Practices 1952-2010, Claire Odland and Nancy Feldman
OF GODS AND GANGS: INDIGO AS A NEW EDUCATIONAL MODEL, Jenny Balfour Paul
Cutting Through the Surface: The Use of Laser Cutting Technology with Traditional Textile Process, Jessica Payne
Tracing Cochineal Through the Collection of the Metropolitan Museum, Elena Phipps and Nobuko Shibayama
Velvetweaving Today: A Worldwide Overview, Barbara Setsu Pickett
THE SACRED YELLOW, Bina Rao
What’s Old is New Again: Carved Board Clamped Resist Dyeing, Jay Rich, Ana Lisa Hedstrom, Yoshiko Iwamoto Wada, and Elin Noble
Development of a Personal and Non-Pictorial Style in Contemporary Tapestry, Michael F. Rohde
Metalling with Fibers: A Design Series Exploring the Reuse of Metal Findings Through the Use of Technology, Eulanda A. Sanders