
Textile Society of America
Textile Society of America Symposium Proceedings
2024:
2020:
2018:
2016:
2014:
2012:
2010:
2008:
2006:
2004:
2002:
2000:
1998:
1996:
1994:
1992:
1990:
1988:
2006
Construction of Social Relationships through Clothes: Gender, Caste, and Inter-religious Relationships in Kutch, India, Miwa Kanetani
The Troyes Mémoires: A Translation of a Script for a Late Medieval Choir Tapestry, Tina Kane
The Narrative Scheme of a Bengal Colcha Dating from the Early 17th Century Commissioned by the Portuguese, Barbara Karl
Nature Fancywork: Nineteenth Century Women Tell Stories about the Natural World, Andrea Kolasinski Marcinkus
Peacocks in the Sands of Palm Beach: The Vogue of Men’s Beach Robes, Diane Maglio
Nasca Needlework and Paracas Procession, Lois Martin
The Swedish Presence in 20th-Century American Weaving, Marion T. Marzolf
The History and the Present of a Traditional Textile of Okinawa, Japan A Narrative of the People in Miyako Island and Miyako-jofu Textile, Yuka Matsumoto
Cartography, Cloth and the Embroidered Tale, Bettina Matzkuhn
Constructing Garments, Constructing Identities: Home Sewers and Homemade Clothing in 1950s/60s Alberta, Marcia McLean
Messages from the Past: An Unbroken Inca Weaving Tradition in Northern Peru, Lynn A. Meisch
Confessions of a Red Thread Bandit Queen: Ten Years of Fieldwork with Narrative Embroidery, Skye Morrison
Stories Underfoot: Reconstructing a Filipino American Identity from a Patchwork Rug, Rachel Morris
Textile Narratives in Book Form, Robin E. Muller
Investigation of a Colonial Latin American Textile, Elena Phipps and Lucy Commoner
Design Sources: The Edges of Fiber Geometry, Barbara Setsu Pickett
A Collaboration through Academia into Industry, Vita Plume
Tracing the Temporary Thread: Decorative and Functional Devoré Textiles of the Early Twentieth Century, Andie Robertson
A Textile Narrative Through the Eye of a Camera/Through the Eye of a Needle, Jennifer E. Salahub
Suellen Glashausser: Books as Revelation, Pamela Scheinman
Textiles and the Body: The Geometry of Clothing, Madelyn Shaw
Sustainability of Handwoven Carpets in Turkey: The Importance of Technical Distinctions Between Regional Carpet Styles, Feryal Söylemezoğlu and Sema Taği
Unraveling the Story: Art Holmes’ War Correspondent Uniform, Courtney Stewart
Preserving Provenance: Collaborative Conversation with a Textile Collector, Susan M. Strawn, Mary A. Littrell, and Linda Carlson
The Documentary Value of Repairs to the Hwarot, the Korean Bridal Robe, Kisook Suh
Symbolic Embellishment of Ritual Textiles Used in Native American Burial Mounds, Harriet J. Taylor and Stephen A. Taylor
When This You See Remember Me: Sampler Making as a Material Practice of Identity and Selfhood, Mary Lou Trinkwon
Cotton to Cloth: An Indian Epic, Uzramma
The Never-Ending Possibility of Textile Art Education, Jan-Ru Wan
La Mode à l’Écossaise: Textile of Diplomacy, Seta K. Wehbé
Difficult Subjects, Wendy Weiss
Delineating Women’s Historical Lives through Textiles: A Latvian Knitter’s Narrative of Memory, Eileen Wheeler
White Snake, Black Snake Folk Narrative Meets Master Narrative in Qing Dynasty Sichuanese Cross-stitch Medallions, Cory Willmott
Weaving Messages Today: Three Decades of Belts in Taquile Island, Peru (1976-2006), Elayne Zorn
2004
About Textile Society of America
Editor's Introduction Notes on Editing Acknowledgments
We Pieced Together Cloth, We Pieced Together Culture: Reflections on Tongan Women’s Textile-making in Oakland, Ping-Ann Addo
Symbolic Defiance: Questions of Nationalism and Tradition in Middle Eastern Textiles, Jeni Allenby
Churchill Weavers 80 Years of American Handweaving, Philis Alvic
West Anatolian Carpet Designs: The Effect of Carpet Trade between Ottoman Empire and Great Britain, Elvan Anmac and Filiz Adigüzel Toprak
California and the Fiber Art Revolution, Suzanne Baizerman
The Tale of the Two-Tailed Mermaid A Case Study in the Origins of the Cretan Embroidery Style, Sumru Belger Krody
Shifting Sands: Costume in Rajasthan, Vandana Bhandari
Pattern Power: Textiles and the Transmission of Knowledge, Carol Bier
The Ubiquitous T-Shirt and Fashionable "Islamic Dress" Cultural Authentication in Turkey, Marlene R. Breu
Interpreting Social Change and Changing Production Through Examinations of Textiles of Xam Nuea and Surin, Charles Carroll
The Fate of the Xam Nuea Healing Cloths, Patricia Cheesman
Dragon Covers – Mysterious Aberrations of the Li, Lee J. Chinalai
Protest to Persuasion: Chinese Textiles as Political Tools in the 19th and 20th Centuries, Diana Collins
Disconnecting the Tais: Responses to Trade, Training and Tourism, Mary F. Connors
A Ping-Pong Example of Cultural Authentication and Kalabari Cut-Thread Cloth, Joanne B. Eicher
Transformative Prospects: Textile Structure and the Social Organization of Pre-Columbian and Colonial Andean Production, Blenda Femenías
Textile Exchange and Cultural and Gendered Cross-Dressing at Palmyra, Syria (100 BC—AD 272), Cynthia Finlayson
Something Borrowed, Something Red –Textiles in Colonial and Soviet Central Asia, Kate Fitz- Gibbon
The Evolution of Yuzen-dyeing Techniques and Designs after the Meiji Restoration, Yuko Fukatsu-Fukuoka
Piecing Together a New Home: Needlework in Kvinden og Hjemmet Magazine, Laurann Gilbertson and Karen Olsen
Joanne Segal Brandford, Barbara B. Goldberg
460 Years of Silk in Oaxaca, Mexico, Leslie Grace
Tradition and Transformation in Chicahuaxtla Trique Textiles, Cecilia Gunzburger
Tradition and Innovation in Contemporary Lao Textiles, Rebecca Hall
Tapestry Translations in the Twentieth Century: The Entwined Roles of Artists, Weavers, and Editeurs, Ann Lane Hedlund
The Jicarilla Apache Woman's Ceremonial Cape The Making and Re-Genesis of a Cultural Icon, Joyce Herold
Lillian Elliott, Pat Hickman
Changes in Nomadic Arab Weaving Due to Outside and Internal Influences, Joy May Hilden
From Rags to Riches to Revolution: A Social History of 19th Irish Lace, Shiralee Hudson
Evidence of the Individual in the Cultural Material of Tapestry, Joyce Hulbert
A Berkeley Home for Textile Art and Scholarship, 1912–79, Ira Jacknis
Tapestry Technology 1400-2004, Tina Kane
The Transformation of Tusser Silk, Brenda M. King
The Fashion for Small-Patterned Textiles in Nineteenth-Century Japan, Keiko Kobayashi
Calico Trade Shirts on the Journey of Discovery with Lewis and Clark, Margo Krager
Contemporary Tapestry in a Cross-Cultural Context and the Work of Janet Moore, Christine Laffer
Dissolving the Objective Grid: Cultural Excavations in the Work of Sharon Marcus, Mary Lane
Keynote Address—Summary Notes, Jack Lenor Larsen
Picturing the Transformation of a Nation’s Textile Traditions: Meiji Era Woodblock Prints, Donna F. LaVallee
Javanesque Effects: Appropriation of Batik and Its Transformations in Modern Textiles, Abby Lillethun
Cultural Authentication and Fashion in the Global Factory: A Panel of Four Papers, Hazel A. Lutz
Carson Colcha Embroideries: From Ersatz to Orthodox, Suzanne P. MacAulay
Indonesian Fashion Designers-----Transformation from Traditional Textiles, Yuka Matsumoto
Contemporary Phuthai Textiles, Linda S. McIntosh
‘Rafoogari’ of Najibabad, Priya Ravish Mehra
Appropriation, Transformation and Contemporary Fiber Art: An Artist’s Perspective, Claire Campbell Park
The Impact of Synthetic Dyes on the Luxury Textiles of Meiji Japan, Pamela A. Parmal
Nets, Bags and the Transformation of Headdress in the Southern Andes, Ann H. Peters
Traveling Stitches: Origins of Fair Isle Knitting, Deborah Pulliam
Culture on a Platter: Politicization of Central Asian Ikat Patterns, Victoria Z. Rivers
It's in the Bag: Transformation in Guatemala, Kathy Rousso
The Distribution of Cultural Identity A Canadian Case Study, Jennifer E. Salahub
Katherine Westphal and Wearable Art, Jo Ann Stabb
Appropriation, Acculturation, Transformation, Janet Stoyel
Restoring Navajo-Churro Sheep: Acculturation and Adaptation of a Traditional Fiber Resource, Susan M. Strawn
Pleated Skirts of Miao in Guizhou Province, China, Tomoko Torimaru and Tomoko Torimaru
Fashion, Tradition, and Cultural Authentication: Change in Hmong American Ethnic Textiles and Aesthetics at Hmong New Year, Susan J. Torntore
Boro no Bi : Beauty in Humility—Repaired Cotton Rags of Old Japan, Yoshiko Iwamoto Wada