2020: 17th Biennial; Hidden Stories/Human Lives
2018: 16th Biennial; The Social Fabric: Deep Local to Pan Global
2016: 15th Biennial; Crosscurrents: Land, Labor, and the Port
2014: 14th Biennial; New Directions: Examining the Past, Creating the Future
2012: 13th Biennial; Textiles and Politics
2010: 12th Biennial; Textiles and Settlement: From Plains Space to Cyberspace
2008: 11th Biennial; Textiles as Cultural Expressions
2006: 10th Biennial; Textile Narratives and Conversations
2004: 9th Biennial; Appropriation, Acculturation, Transformation
2002: 8th Biennial; Silk Roads, Other Roads
2000: 7th Biennial; Approaching Textiles, Varying Viewpoints
1998: 6th Biennial; Creating Textiles: Makers, Methods, Markets
1996: 5th Biennial; Sacred and Ceremonial Textiles
1994: 4th Biennial; Contact, Crossover, Continuity
1992: 3rd Biennial; Textiles in Daily Life
1990: 2nd Biennial; Textiles in Trade
1988: 1st Biennial; Textiles as Primary Sources

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2000

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Pitfalls, Perceptions, Problems, and Possibilities in the Perusal of Prehistoric Fabrics, Mary Elizabeth King

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Old Ties and New Points, Keiko Kobayashi

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Textiles, Scholarship, and Art Education: An Art College Perspective, Wendy Landry

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Bringing It Home: Extracultural Experiences in the Art of Carolyn Price Dyer, Mary Lane

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Jacquard art weaving: an inexhaustible process of exploration, Louise Lemieux Berube

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Museum Viewpoint: Fiber Art and the Struggle for Recognition, Melissa Leventon, Lotus Stack, and Suzanne Baizerman

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INDIA-WEST AFRICA TRADE TEXTILES (IWATT): 'An Escapade in the Life' of Gujarati Mirror-Work Embroidery, Hazel A. Lutz

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TIVAEVAE: LOCAL AESTHETICS AND COOK ISLANDS QUILTS, Suzanne P. MacAulay

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Conservators' Approaches to Viewing Textiles, Harold F. Mailand

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Thai Textiles: The Changing Roles of Ethnic Textiles in Thailand, Linda McIntosh

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Clothes from Cactus? Ancient and Contemporary Examples of Cactus Fiber Clothes and Textiles in Ecuador, Lynn A. Meisch

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Performative Textile Gestures, Ann Newdigate

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Of Gods and Men, Ancestors and Tapestry in the Central Andes, Amy Oakland Rodman

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The Multiple Layers of Meaning in a Paracas Necropolis Textile, Anne Paul

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A Textile Enterprise As a Tool of Economic Development: Part II, June Pearson Bland

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A Mao A minute Real Computers as Virtual Weavers, Lisa Lee Peterson

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'Tornesol': a Colonial synthesis of European and Andean textile traditions, Elena Phipps

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A Textile Enterprise As a Tool of Economic Development: Part I, Haddy Prom

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The Order of Things in Ancient Peru Visual Metaphors in Wari-Associated DWW Textiles, Jane W. Rehl

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Bureaucratic Ideals and Artisanal Reality Survival Strategies in the Production of Echigo J u, Melissa M. Rinne

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Decoding the Divine: Kathi Embroideries of Saurashtra, Victoria Z. Rivers

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Nature as Code, Ruth Scheuing

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Reed Screens of Central Asia, John L. Sommer

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Teaching and Learning: A University Studio Art Experience of Trique Weaving, Laura Strand

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Expanding Textile Studies Through the use of a University Costume Collection, Gayle Strege

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Weaving and the World Economy or How Colonialism and Coffee Affected the Indigenous Weaving Industry in Zuénoula, Cote d'Ivoire., Barbara Sumberg

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Navajo Weaver as a Teacher of Traditional Textile Arts, Pearl Sunrise

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Ending Pages from Textile Society of America- Seventh Biennial Symposium 2000, Textile Society of America

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A Sense of Place and Identity in Aotearoa New Zealand, Kelly Thompson

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JAPANESE KIMONO FASHION OF THE EARLY TWENTIETH CENTURY, Annie Van Asche

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Perpetuating Ritual Textile Traditions: A Pueblo Example, Laurie D. Webster

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Reinventing a Cultural Self: Textile Design and Native American Youth, Wendy Weiss and Mary Lee Johns

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THE WASHITA CHIEF BLANKET: PART I, TEXTILE ANALYSIS, Peggy Whitehead and Joyce Herold

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Symbolic Content in Textile Motifs: Using the Semiotic Approach, Patricia Williams

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CONTEMPORARY POLISH TEXTILE ART: A LEGACY IN TRANSITION, Gayle Wimmer

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Heavens' Embroidered Cloths - textiles from the Honan Chapel, University College Cork, Ireland, Elizabeth Wincott Heckett

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The "Invasion" of Zapotec Textiles: Indian Art "Made in Mexico" and the Indian Arts and Crafts Act, W. Warner Wood

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Fiber Art/Works of Art: Positioning and Perception in the Marketplace, Alice Zrebiec

1998

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Bibliography for: Reality and Vitual Reality: Extending the Tradition of Compound Woven Structures

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Contents and Introduction

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Faith. Hope, and Charity: making madras, c. 1880-1930

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List of Authors

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From Kitsch to Art Moderne: Popular Textiles for Women in the First Half of Twentieth-Century Japan, Masanao Arai

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Exceptional Textiles for Today's Interiors Weaving Our Way Through the Design Community's Exclusive Showrooms, Mia Backman

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Weaving In Taspinar: A Case Study of Using Samplers in Carpet Weaving, Sumru Belger Krody

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Analyzing Patterns in Oriental Carpets: Through Symmetry to the Mind of the Maker, Carol Bier

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The Weft-Twined Structures of Cloaks of the New Zealand Maori, Margery Blackman

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Marion Dorn: The American Years, Whitney Blausen

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Dolls and Upholstery: The Commodification of Maya Textiles of Guatemala, Margot Blum Schevill

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Brokers of Textile Traditions: The Case of the Shopkeepers in Turkey, Marlene Breu and Ronald Marchese

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The American Coach Lace Industry, Nancy Britton

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Ilonka Karasz: Making Modern, Ashley Brown

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A Look Inside and Behind Central Asian Ikats, Annie Carlano

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Re-Defining Tradition: Handweavers to the World, Seema Chandna

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Between Tradition and Modernity: Textile Design Education in Lyons at the Beginning of the 20th Century, Florence Charpigny

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The Mystery of the Eisenhower Toile, Cindy Cook

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The Past is Prologue, Lia Cook

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Exploring Patttern in "Kashmir" and "Paisley" Shawls, Arlene C. Cooper

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Unit Turning Blocks For Designing Tablet Weavings, Bonita R. Datta

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Cheney Brothers, the New York Connection, Carol Dean Krute

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An Early Seventeenth-Century Japanese Textile in the Metropolitan Museum of Art, Joyce Denney

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The "New Deal" Child Artist: Textiles from the Educational Alliance Art School, Joanne Dolan

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Transitions and Expansion: The Haskell Silk Company's· Switch from Thread Manufacture to the Production of Yard Goods, 1880-1882, Jacqueline Field

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Photographic Evidence for 19th Century Central Asian (kat Production, Kate Fitz Gibbon

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The Calligrammatic Pattern: An Aspect of Modernism in French Textile Design, Lourdes M. Font

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Making It the "Old-Fashioned Way", Laura Foster Nicholson

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Textiles - An Art Form For the 90's: Advancing Fiber With New Concepts & Marketing Strategies, Elizabeth Gaston and Laura Hill

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Moses, Little Red Riding Hood and the Furniture Store: Wimpels (Torah Binders) in the Yeshiva University Museum Collection, Gabriel M. Goldstein

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Warp Ikat in Mindanao and Indonesia: Some Comparisons and Their Implications, Roy W. Hamilton

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The Fabrication of Good Government: Images of Silk Production in Southern Song (1127-1279) and Yuan (1279-1368) China, Roslyn Hammers

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Making the Bed: Printed Sheets for Children Since 1960, Sarah Hayne Fitzsimmons

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Recuperating a Wealth of Women's Weavings In the Valleys of Chuquisaca, Bolivia, Kevin Healy and Veronica Cereceda

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Textile Traditions of Ausangate. Peru and Indigenous Strategies for Dealing With Tourism and the Cuzco Market, Andrea M. Heckman

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Technological Development in Late Saxon Textile Production: its relationship to an emerging market economy and changes in society, Philippa A. Henry

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Fiber and Leather Products of the Juhena Tribe of Saudi Arabia And How They Are Made, Joy May Hilden

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Introduction to the Panel, Yoshiko Iwamoto Wada

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Starlets and Masters: Meisen Posters Published by the Textile Makers, Yoshiko Iwamoto Wada

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Suzani Vernacular: Technique and Design in the Central Asian Dowry Embroideries, Angela Izrailova

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Creating Textiles in Belgium During tbe 20th Century: A Large Weaving Manufacturer, a Small Textile Studio and a Contemporary Textile Designer., Elsje Janssen

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Weaving For Your Life: Creating Textiles In Dolp A, Nepal, Anne M. Johnson

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The Troyes Manuscript: Technology and Design in Fifteenth-Century Tapestry, Tina Kane

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Recreating a Warp-faced Compound Weave with the Jacquard Mechanism -Considering Heizo Tatsumura-, Keiko Kobayashi

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Electronic Textiles: Hacking the Museum, Barbara Layne

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Alternative Trade Marketing: Three Approaches to Textile Design and Production, Mary A. Littrell and Marsha A. Dickson

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Dressing by-the-Book: The Significance of the Sample Book in the Marketing of American Men's Apparel 1925-1930, Diane Maglio

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The Market for Central Asian Ikats, Gail Martin

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Light and Shadow: The Textile Designs of Edward Steichen, Lola McKnight

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Kynoch Tartan: A Cultural Analysis of Small Mill Production Based on Technological, Market and Social Frameworks, Ann McLennan

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Jessie Franklin Turner: American Fashion and "Exotic" Textile Inspiration, Patricia E. Mears

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SPANIER ARBEIT A TAROT (Collars for a Prayer Shawl), Bonni-Dara Michaels

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Handwoven Dowries From the Gotse Delchev Region of Bulgaria, Miriam Milgram

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Meeting the Needs of Manufacturers: The Education Of Silk Designers in Eighteenth Century Lyons, Lesley Ellis Miller

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Catering to the Designer: Stewart Culin's Study Rooms at The Brooklyn Museum of Art, Kathleen Moore

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Hogushi and Heiyo: Methods of Creating Painterly Images in Woven Textiles, Kazuo Mutoh

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Investigating the Origins of the Raphael Tapestries at the Cathedral of St. John the Divine, Camille Myers Breeze

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The Confraternity of Embroiderers in Salamanca during the Sixteenth century: Its Members and Their Work, Marta Newman-Laguardia

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The Organization of Work on Ancient Peruvian Embroideries: Putting People Back Into the Cloth, Anne Paul

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"Scutulis Dividere Gallia": Weaving on Tablets in Western Europe, Carolyn Priest-Dorman

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Between the field and the museum: the Benedict Collection of Bagobo abaca ikat textiles, Cherubim A. Quizon

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Damask Linen Manufacture and Marketing at the Turn-of-the-Century: Interpreting the Biltmore House Collection, Kate Rehkopf