PhD candidates: You are welcome and encouraged to deposit your dissertation here, but be aware that
1) it is optional, not required (the ProQuest deposit is required); and
2) it will be available to everyone on the Internet; there is no embargo for dissertations in the UNL DigitalCommons.

Master's candidates: Deposit of your thesis or project is required. (If an embargo, [restricted access] is necessary, you may deposit the thesis at http://digitalcommons.unl.edu/embargotheses/ — but only after getting the prior approval of your department and the Graduate Office; contact Terri Eastin).

Artists: Please include examples of your artwork. It can be inserted into the Word file that contains your abstract, or put in a separate Word (or PDF) file that can be added as a "supplemental" or "additional" file. Or individual files (jpg, tif, gif, mpg, wmv, etc.) can be added as "additionals". There is a box to check on the submission form, and the system comes back and asks you to upload as many as you need.

All depositors: We try to observe a 24-hour "cooling off" period to give you opportunity to correct those "oops" issues that seem to emerge just after deposit.
Upon deposit, you will immediately receive an email that your submission has been received (and this is what you need to show the Graduate Office).
However, you can still log back in and select Revise and upload a new version with your advisor's name spelled right, or your mother thanked in the Acknowledgments, or whatever you're stressing about.
After about a day, your submission will be "published" or "posted", making it available to the Internet; you will get another email to that effect, and your submission can no longer be changed--by you.
If further changes are needed, these can be made by sending a revised file to the administrator < proyster@unl.edu > requesting replacement of the current online version. DO NOT RESUBMIT YOUR THESIS / DISSERTATION. That creates duplicate records, confusion, wasted effort, frustration, sadness, tears, and causes kittens to get sick.

Finally: Congratulations; you are almost there. Click the "Submit your paper or article" link at the bottom of the gray box at left. Follow the instructions. You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
You are the sole author; your advisor is not considered a co-author.
Your institution is "University of Nebraska-Lincoln" (not "at Lincoln" or ", Lincoln"). Do not leave it blank; then the administrator has to fill it in, and he is tempted to make it something silly.
You do not need to repeat your name and title in the Abstract field; just the body of the abstract.
When you reach the question "Was this submission previously published in a journal?", just skip that part.
Be sure to click the "Submit" button at the bottom. Files upload at the rate of about 5 Mb per minute, so if you have an ungodly large file, it may take a bit of time.
If your file exceeds 40 Mb, think about reducing its size--there are many ways; Google "reduce pdf file size" to find some.

Okay, get started. That thesis is not going to submit itself.

Follow


2010

PDF

Breathe... Keep Breathing., Shaun C. Kiel

PDF

Abstention and Opposition, Ryan D. LaBar

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Once-Removed (And Other Familiar Relations), Emily Newman

PDF

Am I Here?, Carla M. Potter

PDF

I've fallen in love with every one of you..., Kayleigh L. Speck

PDF

Maelstrom, Gertrude L. Teijink

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From Baa to Eye: Language as Images, yinghua zhu

2009

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Of vapor beneath the evening star, Sarah Barnard Blitz

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View of the Void, John E. Carrasco

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Catch shadow, Hold light, Autumn Cipala

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Bringing Spiritual Symbolism to a Material Plane, Seth Green

PDF

THE CONSTELLATlONS OF PALOMAR, Shane Haley

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DISPLACEMENT, Kelly Manning

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SATURATED MEMORY, Jewel Noll

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DIE! AKHNA.TEN DIE!, Joshua Norton

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DYSFUNCTIONATION, Samuel B. Rapien

2008

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OIL& WATER, Miranda Allbritten

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PERCEPTUAL TRACE, Sherry Black

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Paintings, Michael Burton

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WHAT IS IN FRONT OF YOU?, Susan A. Dewsnap

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RECOLLECTION, Eriko Fujita

PDF

Constructing Entropy, Xanthe Isbister

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GOOD GIRL, Erika C. Navarrete Anderson

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CONSTANT DAYDREAM, Anne Ruehrmund

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SPECIOUS I SPACIOUS, Amanda Smith

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Decay of the Domestic, Kimberly J. Thomas

2007

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SIMPLE COMPLEXITY, Eric T. Anderson

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INSlDE OUT, Caitlin Rose Applegate

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Beautiful Objects, Jenni Brant

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Density, Jesse Ross

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SELF, Justin D. Shaw

1999

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PAINTINGS, Susan L. Arthur

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FALLING/FLOATING: PIECES OF NATURE, Susan Belau

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REST FOR THE EYE, Jason L. Briggs

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Circumstantial Evidence, Paula Day

PDF

THE WELL CONSIDERED POT, Matthew Lee Kelleher

PDF

NECESSARY FICTIONS, Yvonne M. Meyer

PDF

STORYTELLING: ARTIST'S BOOKS, Nancy Jo Ann Steele

PDF

MAPS TO PLACES YOU COULDN'T FIND, Michael J. Strand

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EVOLUTION BY NUMBERS: AN EXPLORATION OF FUNCTIONAL POTTERY, Chad W. Wolf

1998

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THE LANDSCAPE IN TRANSITION, Tim Klunder

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PAINTING AND BEING: A MEDITATION ON PERCEPTION, Myron N. Moore

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INTO THE LANDSCAPE, Gegory S. Walter