TO DEPOSIT YOUR THESIS OR STUDENT CREATIVE WORK
1. Create or log in to your Digital Commons account
To create an account: click on My Account at http://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.
2. Find the right series to deposit in
Go to the correct series in the UNL Digital Commons [series links are in the file linked here].
On the correct series page, click the Submit your paper or article link at the bottom of the gray box at left.
3. Instructions for deposit
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.
YOU DID IT; your work is submitted!
CONGRATULATIONS on reaching this amazing milestone in your academic career!
4. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.
Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.
It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.
But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.
A Relationship of Parts, Jacob Francois
Threshold, Alexandria Knipe
Constructions, Sean Ryan Larson
When the World Went Quiet, Megan E. McLeay
Geographies of Story, Emma Nishimura
Dream State , Audrey L. Stommes
Someone/No One, Jamie L. Fritz
You Are Some Other Thing, Victoria Hoyt
Transcendent Materiality, Lauren E. Mabry
Media Revolution: Early Prints from the Sheldon Museum of Art, Gregory Nosan and Alison G. Stewart
A TRANSFORMATIONAL BOND, Nettie L. Rogers
All That We See(m), Alison H. VanVolkenburgh
Zoomorphic Penannular Brooches in 6th and 7th Century Ireland, Esther G. Ward
Scenes from a Crash, Byron J. Anway
Measured Chance, Brian R. Kluge
Rising Tides and Color Revolutions, Charles Mitchell
Basic Space, Sean P. Morrissey
Closely Observed, Meghan C. Sullivan
Told, Retold, and Repo'd, Jason Tanner T. Young
Uova, Elisa N. Di Feo
CUT, Bryan Drew
the logic of objects, David B. Eichelberger
Black, White, Brown, Aisha S. Harrison
Lost Channels, Joshua P. Johnson
Breathe... Keep Breathing., Shaun C. Kiel
Abstention and Opposition, Ryan D. LaBar
Once-Removed (And Other Familiar Relations), Emily Newman
Am I Here?, Carla M. Potter
I've fallen in love with every one of you..., Kayleigh L. Speck
Maelstrom, Gertrude L. Teijink
From Baa to Eye: Language as Images, yinghua zhu
Of vapor beneath the evening star, Sarah Barnard Blitz
View of the Void, John E. Carrasco
Catch shadow, Hold light, Autumn Cipala
Bringing Spiritual Symbolism to a Material Plane, Seth Green
THE CONSTELLATlONS OF PALOMAR, Shane Haley
DISPLACEMENT, Kelly Manning
SATURATED MEMORY, Jewel Noll
DIE! AKHNA.TEN DIE!, Joshua Norton
DYSFUNCTIONATION, Samuel B. Rapien
OIL& WATER, Miranda Allbritten
PERCEPTUAL TRACE, Sherry Black
Paintings, Michael Burton
WHAT IS IN FRONT OF YOU?, Susan A. Dewsnap
RECOLLECTION, Eriko Fujita
Constructing Entropy, Xanthe Isbister
GOOD GIRL, Erika C. Navarrete Anderson
CONSTANT DAYDREAM, Anne Ruehrmund
SPECIOUS I SPACIOUS, Amanda Smith
Decay of the Domestic, Kimberly J. Thomas
SIMPLE COMPLEXITY, Eric T. Anderson
INSlDE OUT, Caitlin Rose Applegate
Beautiful Objects, Jenni Brant
Density, Jesse Ross
SELF, Justin D. Shaw
PAINTINGS, Susan L. Arthur
FALLING/FLOATING: PIECES OF NATURE, Susan Belau
REST FOR THE EYE, Jason L. Briggs
Circumstantial Evidence, Paula Day
THE WELL CONSIDERED POT, Matthew Lee Kelleher
NECESSARY FICTIONS, Yvonne M. Meyer
STORYTELLING: ARTIST'S BOOKS, Nancy Jo Ann Steele
MAPS TO PLACES YOU COULDN'T FIND, Michael J. Strand
THE LANDSCAPE IN TRANSITION, Tim Klunder
PAINTING AND BEING: A MEDITATION ON PERCEPTION, Myron N. Moore
INTO THE LANDSCAPE, Gegory S. Walter