Paul A, Johnsgard; Enrique H. Weir; and Karine Gil-Weir
En un sábado mágico de marzo, maneje con un estudiante de postgrado hasta el valle central del Platte, al oeste de Grand Island, tanto para ver la migración primaveral de aves acuáticas como la de las grullas grises. Tal vez fue una suerte que yo no estuviera preparado emocionalmente para ver como innumerables grullas salpicaban el cielo de horizonte a horizonte, o girando grácilmente sus cabezas como si estuvieran atrapados en algún torbellino de ultra cámara lenta, su vibrato produce una cadencia descendente como la música de un coro aviar angelical. Desde los días de mi infancia, cuando, por primera vez, vi una migración primaveral de grandes bandadas de gansos nivales y gansos canadienses llegando a las praderas húmedas del este de Dakota del Norte, no había un estado tan completamente cautivado, y fue sin duda en este día de particular epifanía que me di cuenta de que las grullas serían tan importantes para mi bienestar como mis muy amadas aves acuáticas. ... Disfruto mucho más las grullas del Valle de Platte cuando las puedo presentar a otros como un regalo especial, y detecto en ellos el mismo sentido de descubrimiento y enorme placer que conozco muy bien y siento tan profundamente. Es por razones como ésta que he escrito el presente libro.
"Nous avons survécu. Enfin je parle" est l'histoire vraie, rédigée en français, de deux jeunes enfants, Rachel et Léon, dont le sort était scellé par le destin et la folie des hommes. Rachel et Léon étaient juifs, à une époque où cette simple appartenance était synonyme d'oppression, d'arrestation, de déportation et de mort. Dimanche 19 Juillet 1942, à cinq heures, on frappe à la porte, les policiers français viennent arrêter leurs parents, Srul et Chana Malmed. Rachel et Léon ont respectivement 9 et 4 ans. Chana et Srul Malmed se lamentent: Que va-t'on faire de nos enfants? Henri et Suzanne Ribouleau, des voisins, prononcent les quelques mots qui sauvèrent la vie de Rachel et Léon: "Ne vous inquiétez pas Monsieur et Madame Malmed. Nous allons prendre soin d'eux jusqu'à votre retour". Ils n'ont jamais revu leurs parents, exterminés à Auschwitz. A la fin de la guerre, Rachel et Léon sont séparés une fois des personnes qu'ils considéraient alors comme leurs seconds parents. Un an plus tard, une autre séparation déchirante, Rachel est forcée d'émigrer aux États-Unis sans son frère. Ils ne se reverront pas pendant 14 ans. Ils sont enfin réunis aux Etats-Unis lorsque Léon émigre en 1964. Sa vie personnelle souffre une autre rupture. Malgré toutes les difficultés qu'il rencontra, il réussit sa vie personnelle et professionnelle. Léon Malmed n'a pas été en mesure de parler de cette période sombre de sa vie pendant 60 ans. Il décide enfin d'écrire ce témoignage difficile et détaillé d'une existence bouleversée dans son livre: "Nous avons Survécu. Enfin je parle" Feedback: "Votre livre m'a accompagnée partout au cours des deux dernières semaines. Je tardais à le finir, car je ne voulais pas le quitter. Je l'ai trouvé vraiment remarquable, poignant, très bien écrit, très important, B.M.
Michael Praetorius and Quentin Faulkner trans. & ed.
Michael Praetorius (1571–1621) achieved distinction as a practicing musician: as organist and Kapellmeister at Wolfenbüttel, Dresden and Magdeburg, and (in his later years) by incessant travel to fulfill commissions at various central German courts. Amid his travels Praetorius found time to publish an impressive series of collections of musical compositions, in all more than a thousand works. Praetorius’s three-volume Syntagma musicum (Musical Encyclopedia) belongs to the last years of his life. Volume I, Musicae artis analecta (1614/15, in Latin), treats principles and practices of religious music, from a decidedly Lutheran perspective. Volume II, De organographia (1619, in German) deals with musical instruments, in particular with the organ. Volume III, Termini musici (1619, in German) explores the practice of music, both improvisation and composition. The Syntagma musicum is the first comprehensive treatment of music in the German language.
The publication before you is the first English translation of Volume II, Parts III–V, specifically on the organ. Its belated appearance would have puzzled Praetorius, who declares the organ to be “a perfect (indeed one might also say ‘most perfect’) musical instrument … which … takes pride of place above all other musical instruments, most of which can be incorporated into this single instrument.” This work includes: A precise description of ancient and modern organs, their manual and pedal keyboards, bellows, stoplists, and various kinds of stops, as well as how to tune regals and harpsichords easily and precisely; and what to consider when accepting a [newly‑built] organ, together with with an appended detailed table …
This edition shows the German original on the left and the English translation on the facing right-hand pages. Translator Dr. Quentin Faulkner is Larson Professor of Organ and Music Theory/History (emeritus) at the University of Nebraska-Lincoln. Dr Faulkner holds the degrees B.Mus. cum laude from Westminster Choir College, M.S.M. and M.Th. from Southern Methodist University, and S.M.D. from Union Theological Seminary. He is the author of J. S. Bach’s Keyboard Technique: A Historical Introduction (1984) and Wiser Than Despair: The Evolution of Ideas in the Relationship of Music and the Christian Church (1996), and the translator of Jacob Adlung’s Musica mechanica organoedi • Musical mechanics for the organist (2011). He was formerly an organist at the Cathedral Church of St. John the Divine in New York City.
Alison G. Stewart and Paul Royster
This collection of works explores how Societies and Styles changed over the course of Early Modern Europe (1500-1800) from the time of the advent of printing on paper to the Industrial Revolution and beyond through little-seen printed masterpieces from the Sheldon Museum of Art’s collection. Today, “print” continues to endure even as new forms of digital publications transform our world in previously unimaginable ways, just as printing did centuries ago.
This exhibition offers a view into the ways printed works of art on paper (mostly woodcuts, engravings, and etchings) showcase society and its various aspects, ranging from one Christian martyrdom of a saint to secular works focusing on fashion and death, portraits, and views of a sea serpent, Rome, and Monte Carlo. Half the prints feature William Hogarth’s satires of contemporary social practices surrounding election politics, beer drinking, and relations between the sexes. Although other notable artists designed prints here—Anthony Van Dyck, Hans Holbein the Younger, Giovanni Piranesi, and Alphonse Mucha—the exhibition’s organization was determined by the prints selected by the sixteen students in Prof. Alison Stewart’s “History of Prints: New Media of the Renaissance” class during fall 2013 in the Department of Art and Art History at the University of Nebraska–Lincoln.
An expression repeatedly heard throughout the class was “times change, people don’t.” We leave it to the viewer to determine the ways in which this expression still holds sway for universal values, truths, and experiences seen in the prints shown here.
Mary B. Brown and Paul Johnsgard
The central Platte River Valley region of Nebraska is described ecologically, and defined as encompassing 11 counties and nearly 10,000 square miles, and extending about 120 miles from the western edge of Lincoln County to the eastern edge of Merrick County. At its center is the Platte River, the historic spring staging area for Sandhill and Whooping cranes, five species of geese, and millions of waterfowl and water-dependent birds, in addition to providing the breeding habitats for more than 100 other bird species. Collectively, at least 373 bird species have been reported from the Central Platte Valley, making it the most species-rich bird location in Nebraska, and of the most species-diverse regions in the Great Plains. The abundance, distribution and habitats of these species are summarized, with special consideration given to the Valley’s three nationally threatened and endangered birds, the Whooping Crane, Interior Least Tern, and Piping Plover, and the now probably extinct Eskimo Curlew. Also included are a species checklist, a list of 82 regional birding sites, and a bibliography of 130 citations.
Contains 47 drawings and 2 color maps.
Jacqueline L. Canterbury; Paul A, Johnsgard; and Helen F. Downing
The Bighorn Mountains consist of a relatively well-isolated north-south mountain range in north-central Wyoming that had their origins during the early Cenozoic era, 50-65 million years ago. The present-day Bighorn range is more than 100 miles in length and has a maximum elevation of 13,167 feet (Cloud Peak), only slightly less than the highest peak in Wyoming (Gannett Peak, at 13,804 feet). The mountains are flanked to the west by the Bighorn River basin, and to the east by the Powder River basin, both of which support only semi-desert vegetation dominated by sagebrush. Elevations of the Powder River basin near the Montana border and the Bighorn River near Worland are below 3,700 feet, and annual precipitation at Worland averages less than ten inches annually. The nearly 10,000-foot range of regional elevations and associated climate variations have produced a wide variation of terrestrial vegetation types. The mountains are still largely covered with native grasslands and mostly coniferous forest vegetation, the latter ranging from juniper scrub at low altitudes through ponderosa and lodgepole pines at middle elevations, to subalpine fir, Engelmann spruce and limber pine transitional to alpine tundra, which begins at 9,800–11,400 feet. Most of the still-forested areas lie within the 1.1 million-acre Bighorn National Forest.
We defined the Bighorn region as encompassing or about 6,800 square miles (latilong blocks 4 and 5), and determined that at least 327 bird species have been reliably reported from the region, plus 15 species of hypothetical status. This compared with a total of 427 species reported for all of Wyoming as of 2010 (Faulkner, 2010). Breeding within the region has been confirmed for 190 species. Among the breeders, 77 species have breeding ranges that were classified as to having an either clearly eastern-oriented or western-oriented affinity in North America. Of these, 55 (71 percent) were judged to be western-oriented and 22 (29 percent) eastern-oriented, indicating that the strongest zoogeographic affinities of Bighorn region birds are with western North America.
Species descriptions indicate relative abundance, breeding status by latilong, locality/date records for rarer species, and other relevant information. Many regional birding areas are described and mapped, and results of recent regional breeding bird surveys and seasonal bird counts are summarized. Line drawings illustrate representatives of each of the 53 avian families documented for the region, and there are more than 60 literature citations.
John R. Felix
The role of parasites in the lives and deaths of marine mammals has been scrutinized by biologists for decades, but the scientific literature prior to 1978 has been difficult to acquire and time-consuming to search. Now this new and extensive bibliography gives researchers a convenient resource for reviewing the classical literature on parasites of marine mammals so that historical infection prevalence and geographical distribution can be easily and properly assessed. This book contains detailed information about accepted (or suspected) taxonomic synonyms and geographical information about the host and/or parasite, covering the parasite groups Acanthocephala, Acarina, Anoplura, Cestoda, Nematoda, and Trematoda, and the host orders Pinnipedia (seals, sea lions, walruses), Cetacea (whales, dolphins), and Carnivora (sea otters).
Reported Incidences of Parasitic Infections in Marine Mammals from 1892 to 1978 is a comprehensive list of parasites reported from marine mammals, based on the scientific literature published between the late 1800’s and 1978, including sources of information, geographical locations of the host/parasite, and possible synonyms suggested by the original sources. It provides a valuable resource for stranding response personnel, aquatic animal veterinarians, marine biologists, and professional parasitologists, and is a critical aid to our further understanding of the intriguing interactions between the marine mammals and their underwater “passengers.”
Many Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and fulfilling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while others sought unsuccessfully but no less desperately to transcend the generations-old restrictions imposed by church, state, village, class, and gender.
Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, indeed, the twentieth century in the West. It covers poets and writers such as Evdokiia Rostopchina, Nina Berberova, Nadezhda Sokhanskay, Karolina Pavlova, Elena Gan, Nadezhda Khvoshchinskaya, Anastasia Verbitskaya, Anna Akhamatova, Maria Tsvetaeva, Mirra Lokhvitskaya, Olga Freidenberg; free-thinkers like Zinaida Gippius, Elena Blavatsky; diarists and memoirists like Countess Sofia and Tatiana Tolstoya, Anna Dostoevsky, Nadezhda Durova, Agrippina Korevanova, Ludmila Stahl, Elena Skrjabina; artists Natalya Goncharova, Anna O. Lebedeva, Zinaida Serebriakova, Olga Rozanova, Varvara Stepanova, Liubov Popova, and Aleksandra Ekster; adventuresses (military or sexual) Maria Botchkareva, Natalia Sheremetevskaya, Grand Duchess Maria Pavlovna; doctors Anna Bek and Vera Figner; revolutionaries and reformers like Nadezhda Krupskaya, Cecilia Bobrovskaya, Vera Broido, Alexandra Kollontai, Catherine Breshkovsky, Konkordia Samoilova, Maria Golubeva, Tatyana Ludvinskaya, and Cecilia Bobrovskaya.
In their own words and images, and each in their own unique way, these remarkable Russian women construct a fascinating tapestry of a culture at the crossroads of modernity and on the brink of catastrophe—a thrilling tour of an age when everything seemed possible and none could truly imagine what lay in store.
Marcelline Hutton is the author of Russian and West European Women, 1860-1939: Dreams, Struggles, and Nightmares (2001) and Falling in Love with the Baltics: A Travel Memoir (2009).
Paul A. Johnsgard
This summary of the birds of Nebraska has been restricted to those species that have been convincingly reported at least once in Nebraska from historic time to the present. It has also been modified in its current revision to conform very closely in that regard to the most recent Nebraska Ornithologists’ Union’s “Official List of the Birds of Nebraska” (Brogie, 2010; NOU Records Committee, 2011 and annual updates). The N.O.U.’s official state list of birds (455 species as of 2013, including 329 “regular” species, 42 of “casual” occurrence, 68 accidentals, and six extinct or extirpated species) is based on actual specimen evidence or some other convincing basis of each species’ proven occurrence in the state. I have followed the N.O.U. species list closely, although my terms of relative abundance and status often differ. The latest American Ornithologists’ Union taxonomy (AOU Check-list of North American Birds, 7th edition and later supplements) is followed here.
This is Leon Malmed’s true story of his and his sister Rachel’s escape from the Holocaust in Occupied France. When their father and mother were arrested in 1942, their courageous and heroic French neighbors volunteered to watch their children until they returned. Leon’s parents were taken first to Drancy, then to Auschwitz-Birkenau, and they never returned. Meanwhile their downstairs neighbors, Henri and Suzanne Ribouleau, gave the children a home and family and sheltered them through subsequent roundups, threats, air raids, and the war’s privations. The courage, sympathy, and dedication of the Ribouleaus and others stand in strong contrast to the collaborations and moral weakness of many of the French authorities. Leon and Rachel each came to America after the war, but always kept their strongest ties to “Papa Henri and Maman Suzanne,” who were honored as “Righteous Among the Nations” by Yad Vashem in 1977. Leon bares his soul in this narrative of love and courage, set against a backdrop of tragedy, fear, injustice, prejudice, and the greatest moral outrage of the modern era. It is a story of goodness triumphing once more over evil.
Griselda Pulido-Flores and Scott Monks
Los 16 capítulos que conforman este libro son una contribución al conocimiento de la biodiversidad y conservación de los recursos naturales en el estado de Hidalgo, México.
Se aborda el derecho de propiedad intelectual en la biodiversidad, citando algunos ejemplos de México. Así mismo, se presenta un estudio de la biodiversidad y distribución de la herpetofauna en cuatro tipos de vegetación. Desde el punto de vista de la helmintología se presentan dos estudios de los helmintos parásitos de vertebrados silvestres; con nuevos registros de hospederos y localidades de algunas especies de helmintos para Hidalgo. También, se aborda el uso de los índices de biodiversidad en los parásitos, el uso de los helmintos como bioindicadores de calidad ambiental, y el efecto del arsénico en un bioensayo. Desde el punto de vista botánico, se presentan el estudio de tratamientos de germinación y el uso de técnicas de cultivo in vitro con fines de conservación de algunas plantas de interés; así mismo, se aborda el estudio del uso tradicional de algunos recursos mico-florísticos de Hidalgo.
Maisie Renault and Jeanne Armstrong , translator
In June 1942 Maisie Renault and her sister Isabelle were arrested in Paris by the Gestapo for their activities in support of the French Résistance cell directed by their brother Gilbert Renault, known by the code-name “Colonel Rémy.” Over the next two years they were held at La Santé prison in Paris, at Fresnes Prison, south of the city, at Fort de Romainville on the outskirts, and at the Royallieu-Compiègne internment camp in northeast France.
In August 1944 they were deported to the Ravensbrück concentration camp in northern Germany, opened in 1939 and housing mainly women and children. By 1944 nearly all Jewish inmates had been transported to Auschwitz, and the camp contained mostly Polish and Russian “political” prisoners, as well as Gypsies, Jehovah’s Witnesses, and German criminals. The Renault sisters were among several hundred French prisoners. The camp included a crematorium and a gas chamber, and was operated by the SS for profit, with some inmates leased out to industries as slave labor, and others used as subjects for medical experiments. By the war’s end it held more than 30,000 prisoners.
La grand misère [Great Misery] is Maisie Renault’s story of her nine months in this man-made hell, where brutality, starvation, sickness, filth, and degradation took a daily toll on women whose principal offense was having opposed the Nazi regime. Maisie’s story, however, is one of loyalty, devotion, faith, endurance, and the loving and self-sacrificing support that her circle of women gave each other, allowing some of them to survive the horribly cruel and inhumane conditions. Published in French in 1948, this is the first English translation of this survivor’s account of life inside an SS concentration camp and the indomitable spirit that bound these women together and allowed them to emerge hurt, sick, battered, but unbroken and unafraid to testify about what they saw.
With an introduction by the translator, Jeanne Armstrong.
Twenty poems and 23 drawings illustrate the integrated habitat and denizens of the North American prairies: mammals, birds, insects, and plants. Probably only 1-3 percent of Nebraska’s original tallgrass prairie still exits. There are very few remaining tallgrass prairies in Nebraska as large as Spring Creek Prairie. They represent important repositories for our natural heritage of native plants and animals. It is not uncommon for tallgrass prairies to have 250-300 species of plants present and several hundred species of insects.
Dedicated to our children, who will eventually replace us and have to decide if our remaining prairies are to be preserved.
This 100,000-word monograph summarizes the distribution, abundance and breeding biology of the 183 species of wetland-adapted birds reliably reported from South Dakota, Nebraska and Kansas through 2011. These include 91 species known to breed or have historically bred in the region, 51 species that migrate through the region but are not yet known to breed or have bred there, and 41 species that are extremely rare, probably extinct, or for which evidence as to their current occurrence is questionable. Brief summaries of the breeding biology of all the regionally nesting species are provided, and information for all species is summarized as to seasonal migrations, habitats, and (in most cases) population status. There is an introductory account of the topography, climate and vegetation of the region insofar as these environmental factors influence wetland birds, six regional maps, and more than 500 references.
Paul A. Johnsgard
The Central Flyway has been recognized as a collective North- South migratory pathway centered on the North American Great Plains for nearly a century, but it has never been analyzed as the species that most closely follow it, or the major stopping points used by those species on their journeys between their northern breeding and southern wintering grounds. A total of 114 U.S. and 21 Canadian localities of special importance to birds migrating within the Central Flyway are identified and described in detail. Judging from available regional, state and local information, nearly 400 species of 50 avian families regularly use the Central Flyway during their migrations. Nearly 90 Central Flyway species have wintering areas partly extending variably far into the Neotropic zoogeographic realm, and at least 50 of these winter entirely within the Neotropic realm. A few of these species undertake some of the longest known migrations of all birds, in excess of 8,000 miles in each direction. Seven maps, 49 figures and over 100 literature citations are included.
Gregory Nosan and Alison G. Stewart
In the digital age, when videos are streamed and books can be read electronically, it is hard to fathom the revolutionary impact that printed images had when they fi rst appeared in Europe around 1400. Th eir introduction changed forever the traditional practice of manually crafting images one by one, creating a world in which pictures could be reproduced almost without limit on a new material called paper, expanding the possibilities and audiences for images and texts of all kinds. Th is publication, which brings to light little-seen masterpieces from the Sheldon Museum of Art’s collection, explores the three major print techniques of the early modern period: woodcut, engraving, and etching. Along the way, it suggests not only how the print revolution evolved as it spread across Europe and the British Isles, but also how it gave rise to images that are intimate and public, sacred and secular. Th ese pictures, which transformed the everyday lives of their original users, remind us of the many ways in which print technology continues to shape our own.
A Two-Hundred Year History of Ornithology, Avian Biology, Bird Watching, and Birding in Kansas (1810–2010)
Thomas G. Shane
The first two centuries of bird study in Kansas essentially can be split into 50 year intervals since Zebulon Pike’s 1810 publication, an account of his explorations. The first 50 years were records of explorers crossing Kansas collecting bird specimens; many were Army doctors. The second half of the 19th Century was a continuation of explorers and those affiliated with museums obtaining bird specimens and the establishment of colleges and universities with faculty members also collecting birds and making observations. The first half of the 20th Century was a period of college faculties primarily composed of vertebrate zoologists who had a few graduate students who studied birds. By 1960, active graduate programs were in place with many professors specializing in taxonomy, physiology, ecology, wildlife biology and behavior which continue to this day. Bird watchers and birders have also played an important role in the study of Kansas birds and continue to do so into the 21st Century.
Jacob Adlung, Johann Lorenz Albrecht, Johann Friedrich Agricola, and Quentin Faulkner
This is the first English translation of Musica mechanica organoedi, originally published in Berlin in 1768. Its author Jacob Adlung (1699-1762) was a musician and scholar and organist at the Predigerkirche in Erfurt.
The Musica mechanica organoedi focuses primarily on the organ, from the perspective of the information an organist might need to know about the instrument; specifically, it encompasses the following:
• an evaluation, from an 18th-century perspective, of earlier works on its subject: Praetorius, Werkmeister, Mattheson, Niedt, Kircher and others
• an appreciation of the organ: its value and regard
• the history of the organ
• a thorough description of all the parts of an organ, and all facets of the organbuilder’s art, including definitions of several hundred organ stops.
• suggestions about organ registration: the use and combination of stops, and how to go about choosing what stops an organ shall have
• advice to those who intend to purchase an organ: cost, advantages and faults, testing, maintenance and repair
• temperament and tuning
• construction and assessment of other keyboard instruments, notably the harpsichord and clavichord with pedal
• stoplists of almost 90 organs of various types and sizes (most of them in Germany).
One of Mmo’s most valuable features is its attempt to be a compendium of information from earlier sources. Adlung not only recorded his own ideas and observations, but incorporated those of every previous major German publication that treats the organ, beginning with Praetorius’s Syntagma musicum (1619). This attempt at comprehensiveness is interesting because it gathers information from so many diverse sources, and because in commenting on his predecessors Adlung offers yet another perspective (closer to the sources than any commentary from our time) on the matters they treat. His work is therefore, more than any other contemporary publication, a mirror of the state of knowledge and preferences concerning the 18th-century German organ.
Left unpublished at Adlung's death, the work was entrusted to Johann Lorenz Albrecht (1732-73), Cantor and Music Director at the Marienkirche in Mühlhausen. The book's publisher subsequently entrusted the work to his local collaborator Johann Friedrich Agricola (1720-1774), the Royal Prussian Court Composer and a former student of J. S. Bach, who added a further layer of commentary.
The work has been translated into English by Dr. Quentin Faulkner, Larson Professor of Organ and Music Theory/History (emeritus) at the University of Nebraska-Lincoln. Dr Faulkner holds the degrees B.Mus. cum laude from Westminster Choir College, M.S.M. and M.Th. from Southern Methodist University, and S.M.D. from Union Theological Seminary, and is the author of J.S. Bach's Keyboard Technique: A Historical Introduction (1984) and Wiser Than Despair: The Evolution of Ideas in the Relationship of Music and the Christian Church (1996). He was formerly an organist at the Cathedral Church of St. John the Divine in New York City. In addition to the extensive annotations, he has added a compendium of the many organ stoplists cited but not originally included in the Mmo.
This electronic edition of the work is arranged to show the German original on the left and the English translation on the facing right-hand pages. It runs 1222 pages or 68 Mb in this version. Chapter-opening bookmarks are provided for easier navigation.
Paul A. Johnsgard
Nebraska lies in the transition zone between North American eastern and western avifaunas and is home to more than 200 breeding and 150 migrant species. This definitive guide to Nebraska birdwatching by the state’s preeminent ornithologist includes a county-by-county rundown of the best sites, a calendar of migrations, an annotated checklist of regularly occurring Nebraska birds, and recommendations for optical equipment, publications and reference materials, and contact information for conservation and ornithological groups. It features 48 maps as well as photographs and drawings by the author.
Paul Johnsgard, Foundation Professor Emeritus of Biological Sciences at the University of Nebraska–Lincoln, is the author of more than 50 books and 150 articles on birds and other wildlife.
Paul A. Johnsgard
“The Rocky Mountain region has fascinated me ever since I traveled to Glacier and Yellowstone National Parks as a teenager, and saw for the first time such wonderful birds as ospreys, American dippers, and Lewis’s woodpeckers.”
This book is in part based on the author’s earlier Birds of the Rocky Mountains (1986, revised 2009), but over a third of the original text has been eliminated. The rest has been updated, expanded and modified to be less technical and more useful to birders in the field. Bird enthusiasts will find viewing locations and updated contact information for hundreds of sites in Wyoming, Colorado, Montana, Idaho, Alberta, and British Columbia. Part 1 outlines the habitats, ecology, and bird geography of the Rocky Mountains north of the New Mexico–Colorado border, including recent changes in the ecology and avifauna of the region. It provides detailed lists of major birding locations and guidance about where to search for specific Rocky Mountain birds. Part 2 considers all 328 regional species individually, with information on their status, habitats and ecology, suggested viewing locations, and population. Includes 3 maps and 11 drawings by the author.
Paul A. Johnsgard is the Foundation Regents Professor (emeritus) in the School of Biological Sciences at the University of Nebraska–Lincoln. He is an internationally renowned ornithologist and the author of more than fifty books on natural history.
The Wonders of the Invisible World. OBSERVATIONS As well Historical as Theological, upon the NATURE, the NUMBER, and the OPERATIONS of the DEVILS.
Cotton Mather and Reiner Smolinski , Editor
Cotton Mather’s mythic image rests largely on his involvement in the Salem witchcraft debacle (1692–93) and on his Wonders of the Invisible World (1693). The work aims at several purposes. On the one hand, Wonders is New England’s official defense of the court’s verdict and testimony to the power of Satan and his minions; on the other, it is Mather’s contribution to pneumatology, with John Gaul, Matthew Hale, John Dee, William Perkins, Joseph Glanville, and Richard Baxter in the lead. Before Mather excerpts the six most notorious cases of Salem witchcraft, he buttresses his account with the official endorsement of Lt. Governor William Stoughton, with a disquisition on the devil’s machinations described by the best authorities that the subject affords, with a previously delivered sermon at Andover, and with his own experimentations. Mather’s Wonders, however, does not end without a due note of caution. While exposing Satan’s plot to overthrow New England’s churches, Mather also recommends his father’s caveat Cases of Conscience (1693), thus effectively rejecting the use of “spectral evidence” as grounds for conviction and condemning confessions extracted under torture. What ties the various parts together is Mather’s millenarian theme of Christ’s imminence, of which Satan’s plot is the best evidence. Robert Calef ’s accusation that Mather and his ilk incited the hysteria is, perhaps, unfounded, but Calef ’s charge of Mather’s ambidextrous disposition seems warranted. For while Mather defends the court’s verdict and justifies the government’s position, he also voices his great discomfort with the court’s procedure in the matter. Wonders appeared in print just when the trials were halting, but it remains, in his own words, “that reviled Book,” a bane to his name.
Georg Wilhelm Steller, Walter Miller Translator, Jennie Emerson Miller Translator, and Paul Royster Editor
Steller’s classic work, published in Latin in 1751 and in German in 1753, contains the only scientific description from life of the Steller’s sea cow (Hydrodamalis gigas), as well as the first scientific descriptions of the fur seal or “sea bear” (Callorhinus ursinus), Steller’s sea lion (Eumetopias jubatus), and the sea otter (Enhydra lutris). Steller’s sea cow was a sirenian, or manatee, inhabiting the North Pacific Ocean and Bering Sea. It was first discovered by Europeans in 1741 and rendered extinct by 1768. It was a 30-foot long, plant-eating aquatic mammal, weighing up to 12 tons, that lived in large herds on the coasts of Alaska and Kamchatka. Steller made his observations as part of Vitus Bering’s second voyage, during which the crew was shipwrecked for 9 months on Bering Island, from November 1741 to August 1742. This voyage was undertaken as part of the Great Northern Expedition, commissioned by the Imperial Academy of Sciences in St. Petersburg, to prosecute the exploration of the North Pacific and western North America. This English translation originally appeared in 1899, in an appendix to The Fur Seals and Fur-Seal Islands of the North Pacific Ocean, edited by David Starr Jordan, Part 3 (Washington, 1899), pp. 179–218. A brief bibliography, links to online works and sites, and illustrations have been added by the present editor.
Dariush Alimohammadi and Mary Bolin , Editor
This book is about Information Retrieval (IR), particularly Classical Information Retrieval (CIR). It looks at these topics through their mathematical roots. The mathematical bases of CIR are briefly reviewed, followed by the most important and interesting models of CIR, including Boolean, Vector Space, and Probabilistic.
Mathematics is a foundation and building block of all areas of knowledge. It particularly affects disciplines concerned with information organization, storage, retrieval, and exchange. Information is manipulated using computers, and computers have a mathematical basis. The word “computer” reveals this relationship. Students and practitioners of computer science, library and information science (LIS), and communications need a foundation in mathematics. IR, a subfield in all these disciplines, also needs mathematics as a common and formal language. Understanding CIR is not possible without basic mathematical knowledge.
The primary goal of book is to create a context for understanding the principles of CIR by discussing its mathematical bases. This book can be helpful for LIS students who are studying IR but have no knowledge of mathematics. Weakness in math impairs the ability to understand current issues in IR. While LIS students are the main target of this book, it may be of interest to computer science and communications students as well.
Glenn L. Hoffman
Described in 1986 as “a living legend,” Glenn Hoffman was one of the world’s foremost authorities on the parasites of fishes. This book narrates his life and 65-year professional career as a scientist, researcher, ambassador, colleague, and family man.
Born in 1918 to “hard working Iowa farm folks,” Dr. Hoffman grew up trapping and fishing for fun and profit. At the University of Iowa, he majored in zoology and worked for the Iowa State Conservation Department. From 1942 through 1946, he served in the U.S. Army as a lab technician, bacteriologist, and parasitologist in France, England, Germany, and Belgium. He returned to Iowa to earn his PhD in 1950, and taught at the University of North Dakota 1950–1957. From 1958 to 1975 he worked at the U.S. Fish & Wildlife Services Eastern Fish Disease Laboratory in Leetown, WV, and then at the U.S. Fish Culture Station in Stuttgart, Arkansas, until his retirement in 1985. He was the author of four major books and more than 100 articles on the causes, spread, and cures of parasite-related diseases in fish, including Parasites of North American Freshwater Fishes (1967, 2nd ed. 1999), called “the bible of American fish parasitology.” His work and his generosity in collaboration developed an international following, and he made many trips abroad to share his expertise and receive the honors earned from his wide-ranging research and publication work.
Personal, insightful, and reflective, this autobiography gives a glimpse inside the mind of a American scientist of the first rank.
Edna Glenn, John R. Wunder, Willard Hughes Rollings, and C. L. Martin
LIST OF ILLUSTRATIONS
PREFACE: Edna Glenn, Texas Tech University and John R. Wunder, University of Nebraska-Lincoln
COMMENTARY I: CELEBRATION: Edna Glenn
1 THE HOPI NATION IN 1980: “It is a time to recall and to revitalize the good things of Hopi life and to celebrate Hopism.” Abbott Sekaquaptewa, Chairman, Hopi Tribal Council
EXEMPLARY ARTS: SECTION A — Subject: Concepts of Emergence and Migration: Edna Glenn
2 HOPI MESAS AND MIGRATIONS: LAND AND PEOPLE: “Here among the sandstone mesas you will find the Hopis. ‘Among them we settled as rain....’” Lomawywesa (Michael Kabotie), Hopi Cultural Center and Museum, Second Mesa
EXEMPLARY ARTS: SECTION B — Subject: Corn as Life Essence: Edna Glenn
3 THE HOPI WAY: ART AS LIFE, SYMBOL, AND CEREMONY: “As artists, we try to document every aspect of Hopi life. We know the Hopi way; we live it, we can taste, we can see, and we can smell Hopi.” Honvantewa (Terrance Talaswaima), Hopi Cultural Center and Museum, Second Mesa
EXEMPLARY ARTS: SECTION C — Subject: Ceremony - Ancient and Contemporary Images: Edna Glenn
EXEMPLARY ARTS: SECTION D — Subject: Contemporary Arts and Crafts: Edna Glenn
COMMENTARY II: CEREMONY: Edna Glenn
4 HOPI KACHINAS: A LIFE FORCE: “Everything has an essence or life force, and humans must interact with these or fail to survive.” Barton Wright , Museum of Man, San Diego
EXEMPLARY ARTS: SECTION E — Subject: Kachinas: Edna Glenn
5 HOPI SOCIAL STRUCTURE AS RELATED TO TIHU SYMBOLISM: “Life is the highest good; in an environment where survival requires constant effort, . . . the richest blessing is abundance of food and children.” Alice Schlegel, University of Arizona
6 CONTEMPORARY HOPI COURTS AND LAW: “We believe we are ‘at the center’ and this gives us a very secure feeling about where we are, where we have been, and what we are going to do.” Piestewa (Robert H. Ames), Chief Judge, Hopi Tribal Trial Court
7 THE ENDURING HOPI: “What then is the meaning of the tricentennial observance? It is a reaffirmation of continuity and hope for the collective Hopi future.” Peter Iverson, Arizona State University
COMMENTARY III: CHALLENGE: Edna Glenn
HOPI ESSENCE: SELF-PORTRAIT AND POEM: Lomawywesa (Michael Kabotie)