Modern Languages and Literatures, Department of
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
1. it is optional, not required (the ProQuest deposit is required); and
2. it will be available to everyone online; there is no embargo for dissertations in the UNL Digital Commons.
Master's candidates: Deposit of your thesis or project is required. (If an embargo [restricted access] is necessary, you may deposit it at https://digitalcommons.unl.edu/embargotheses/ only after getting approval from your department and the Graduate Office; contact Terri Eastin).
TO DEPOSIT YOUR DISSERTATION OR THESIS
1. Create or log in to your Digital Commons account
To create an account: click on My Account at https://digitalcommons.unl.edu then Sign up.
Fill in your names, email address, create a password, and click on Create Account.
Reply to the confirming email from the system, if you get one (check your spam folder).
Your email address will not be published or shared.
2. Instructions for deposit
Click the Submit your paper or article link at the bottom of the gray box at left.
You should be able to copy (Ctrl-C) and paste (Ctrl-V) most fields.
TITLE: Fill it in using title case (that is, capitals for the first letter of all words except articles and prepositions).
AUTHOR: In each respective box, enter your names (and/or initials) as they appear on the title page of your dissertation or thesis. You are the sole author; your advisor is not considered a co-author. Institution is University of Nebraska-Lincoln (not "at Lincoln" or ", Lincoln"). Do not leave this field blank.
FIRST ADVISOR: Enter your advisor’s name. Add a second and third, if needed (advisors only, not committee members).
DATE OF THIS VERSION: Month and Year only.
CITATION: Copy and paste the rest of whatever appears on the title page of your work. It usually starts with something like “A THESIS Presented to the Faculty …” and ends with “Lincoln, Nebraska [month] [year].”
ABSTRACT: Just include the body of the abstract, not the title or your name, but DO add your advisor’s name at the end of the abstract after the word Advisor and a colon, like this: Advisor: ….
Skip the ORCID IDs, Keywords, Disciplines, and Comments fields, and DO NOT check a bubble for the Publication Status field.
Click UPLOAD FILE FROM YOUR COMPUTER. Select the file of your work from your device (should be in Portable Document Format, PDF).
Click the SUBMIT button at the bottom.
YOU DID IT! Your work is submitted!
CONGRATULATIONS on reaching this amazing milestone in your academic career!
3. After your initial deposit
Upon deposit, you will receive an email that your submission has been received; you need to show the Graduate Office this message.
Before we complete your upload, we usually wait a day or two to give you an opportunity to correct those oops issues that seem to emerge just after deposit. Before it’s been posted, you can still log back in and select Revise and upload a new version so you can upload a version with your advisor's name spelled right or whatever else needs to be fixed.
It is important that you DO NOT resubmit another file after it’s been posted online. This causes lots of problems.
But have no fear: If further changes are needed after it’s been posted, you can send a revised file to the series administrator (Sue Gardner) requesting to replace it.
2024
Tuning Out: Intersections of Music and Literature in the Contemporary French-Language Novel, Alexander Claussen
Tuning Out: Intersections of Music and Literature in the Contemporary French-Language Novel, Alexander James Claussen
French Interwar Popular Romance and Ideals of Femininity: A Literary and Historical Study of Magali, Kelly Kamrath
2023
German-Language Newspapers in America: Reactions and Reporting on Racism and Mob Violence towards Minority Groups in the Early 1900s, Karmen Browitt
Archivo y Memoria: Una Mirada a Tres Historias de Mujeres Esclavizadas en el Virreinato de la Nueva Granada de Finales del Siglo XVIII, Luisa Carolina Julio Gomez
The Labé Question: a New Stylometric Analysis, Ryan Schmid
2022
NICKEL RUSH: INDIGENOUS TESTIMONIES AND PREDICTIONS ABOUT MINING FROM NEW CALEDONIA AND QUÉBEC, Hailey Dorner
THE INTERSECTIONS OF MIGRATION AND IDENTITY IN YOUNG ADULT LITERATURE OF THE FRENCH-SPEAKING WORLD, Kaitlyn Waller
2021
Readings of (Non-)Consumption in Jan-Ole Gerster's OH BOY (2012), Christopher Etheredge
Repensando la discapacidad en España y Latinoamérica: La producción cultural hispánica de autores/as con diversidad funcional en los siglos XX y XXI, Montserrat Fuente-Camacho
A TRANSLATION OF MARION GUILLOT’S C’EST MOI WITH AFTERWORD, Edwin Schooler III
2019
Untitled: Deconstruction and Reconstruction of Identity in Le Chevalier de la Charrette and the Romance of Tristran, Devin Louise Moulton
2018
GASPAR OCTAVIO HERNÁNDEZ, UN POETA MODERNISTA, Karina Ayodele Clarke Murrain
2017
Anatomía comparada de la representación de la muerte en la literatura Española Transatlántica durante el ocaso de la edad media y el renacimiento, Miguel Ángel Albújar Escuredo
El rock en Nicaragua: un discurso de resistencia contra la neoliberalización o una re-definición de la tradición., Martina Barinova
LA VIOLENCIA: LOS SEMAS DE RASGOS DIEGÉTICOS Y MIMÉTICOS DE LA LITERATURA COLOMBIANA DE LA SEGUNDA MITAD DEL SIGLO XX., Omar Fernando Sánchez Forero
2016
Reseña: Cupchik, Gerald C. “The Evolution of Psychical Distance as an Aesthetic Concept.” Culture & Psychology 8-2 (2002): 155-187., Miguel A. Albújar Escuredo
Reseña: El Aura de Fabián Bielinsky, Miguel A. Albújar Escuredo
Reseña: La ciudad sin límites de Antonio Hernández, Miguel A. Albújar Escuredo
Reseña: La idea de progreso como lastre en las filosofías de la historia por Juan Robert Muro Abad., Miguel A. Albújar Escuredo
Reseña: Que se mueran los feos de Nacho G. Velilla, Miguel A. Albújar Escuredo
Resumen: Origins of postmodernity de Perry Anderson, Capítulo 1: Pródromo, Miguel A. Albújar Escuredo
Breve Acercamiento a la Cuestión Morisca en la Temprana Edad Moderna en España, Farah Dih
La violencia terrorista en la narrativa vasca del siglo XXI, Montserrat Fuente-Camacho
Acercamiento al Pensamiento Mágico y la Superstición en el Discurso Literario de la Primera Modernidad Española: Miguel de Cervantes y María de Zayas, Miguel Magdaleno Santamaria
La Visión del Colombiano en La hojarasca, El coronel no tiene quien le escriba y Crónica de una muerte anunciada, de Gabriel García Márquez, Luz S. Valencia Galvis
LA COLONISATION, L’IDENTITÉ ET L’AMBITION DANS DEUX ROMANS FRANCOPHONES, Abdulameer Waly
2014
Red social en La Celestina: una aproximación cuantitativa a su sistema de personajes, Jennifer Isasi
Reseña de Pagafantas, una comedia de Borja Cobeaga, Naroa Puente-Ortiz
2013
Reseña de "También la lluvia" de Iciar Bollaín, Jennifer Isasi
El Protagonista Negro en la Narrativa Antiesclavista Latinoamericana del Siglo XIX, Nydia Jeffers
Movie review de Biutiful por González Iñárritu, Ana M. López-Aguilera
Pedagogía de Hablantes de Herencia: implicaciones para el entrenamiento de instructores al nivel universitario, Lina M. Reznicek-Parrado
2012
Reseña de la película Smoking room (2002), Ana M. López-Aguilera
Contextos y prácticas en las humanidades digitales, Joseba Moreno
Reseña: "El ángel exterminador", Joseba Moreno
Modelización social en dos novelas novohispanas: Vida y hechos del famoso caballero don Catrín de la Fachenda y el Periquillo Sarniento, Wilfrido M. Suárez
2011
EL MACHO SARNIENTO: LA HIPERMASCULINIDAD EN YONQUIS Y YANQUIS DE ALONSO DE SANTOS Y ENTRE VILLA Y UNA MUJER DESNUDA DE SABINA BERMAN, Joaquín M. Muñoz
Mass Culture as Domination or Resistance in Latin American Narratives, Tim Robbins
POETA PORTUGUÉS Y CLÁSICO CASTELLANO, LUÍS VAZ DE CAMÕES (c.1524-1580): EDICIÓN CON INTRODUCCIÓN Y NOTAS DE SUS SONETOS CASTELLANOS, Rose M. Sevillano
2010
Cine e inmigración: espacios de inclusión y exclusión, Ana M. López-Aguilera
2009
La voz y la violencia invisible en el cuento caribeño contemporáneo, Carmen Bourbon
Inscriptive Masculinity in Balzac’s Comédie Humaine, Alana K. Eldrige
2007
EN BUSCA DE UNA TIPOLOGÍA MATERNAL: (RE)CONSIDERANDO LA MUJER-MADRE EN LA ESPAÑA DE LOS SIGLOS XIX Y XX, Guiomar C. Fages
HIDDEN IDENTITY IN THE CONTEMPORARY LATIN AMERICAN HISTORICAL NOVEL: THE CONQUEST SEEN THROUGH THE EYES OF DOUBLE AGENT CHARACTERS, James W. Gustafson Jr.
La presencia del dolor en la obra poética de Garcilaso de la Vega, Diego Hurtado de Mendoza, Gutierre de Cetina, Lope de Vega y la Madre Josefa del Castillo, Dilia Hernández Delgado
2006
POÉTICA DE LO SOEZ: Luis Rafael Sánchez: IDENTIDAD Y CULTURA EN AMÉRICA LATINA Y EN EL CARIBE, Julio César Sánchez Rondón
1973
Some Forms and Functions of Contrast in the Islendingasogur, Duane Victor Keilstrup
1941
Der Wiedertäufer in der Deutschen Literatur des neunzehnten und zwanzigsten Jahrhunderts, Maria Wiebe